Results of the Hugo Award in the year 1970.
When The Left Hand of Darkness first appeared in 1969, the original jacket copy read, “Once in a long while a whole new world is created for us. Such worlds are Middle Earth, Dune—and such a world is Winter.” Twenty-five years and a Hugo and Nebula Award later, these words remain true. In Winter, or Gethen, Ursula K. Le Guin has created a fully realized planet and people. But Gethen society is more than merely a fascinating creation. The concept of a society existing totally without sexual prejudices is even more relevant today than it was in 1969. This special 25th anniversary edition of The Left Hand of Darkness contains not only the complete, unaltered text of the landmark original but also a thought-provoking new afterword and four new appendixes by Ms. Le Guin.
When the human ambassador Genly Ai is sent to Gethen, the planet known as Winter by those outsiders who have experienced…[more]
Norman Spinrad made his biggest SF splash with Bug Jack Barron, whose 1967—68 New Worlds serialisation brought raging controversy which Michael Moorcock discusses in an afterword. It’s a quintessential 1960s novel, prophetically highlighting the irresponsible power of mass media and corporations.
TV megastar Jack Barron hosts the wildly popular Bug Jack Barron, a phone-in show that listens to public gripes and puts politicians and bosses on the spot—live. Naturally Barron pulls his punches for safety’s sake…until he tangles with paranoid…
Throughout history, man has been searching for better ways to gather information about his universe. But although they may have longed for it, not even the most brilliant minds could conceive of a device as infinitely powerful or as immeasurably precise as the macroscope, until the twenty-first century. By analyzing information carried on macrons, this unbelievable tool brought the whole universe of wonders to man’s doorstep.
The macroscope was seen by many as the salvation of the human race. But in the hands of the wrong man, the macroscope could be immensely destructive-infinitely more dangerous than the nuclear bomb. By searching to know too much, man could destroy the very essence of his mind.
This is the powerful story of man’s struggle with technology, and also the story of his human struggle with himself.…[more]
Kurt Vonnegut’s absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes ‘unstuck in time’ after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut’s) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.
Slaughterhouse-Five is not only Vonnegut’s most powerful book, it is also as important as any written since 1945. Like Catch-22, it fashions the author’s experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut’s other works, but the book’s basis in rock-hard, tragic fact gives it unique poignancy—and humor.
Being a Time Courier was one of the best jobs Judson Daniel Elliott III ever had. It was tricky, though, taking group after group of tourists back to the same historic event without meeting yourself coming or going. Trickier still was avoiding the temptation to become intimately involved with the past and interfere with events to come. The deterrents for any such actions were frighteningly effective. So Judson Daniel Elliott played by the book. Then he met a lusty Greek in Byzantium who showed him how rules were made to be broken…and set him on a family-history-go-round that would change his past and his future forever!