Results of the Nebula Award in the year 1975.
Private William Mandella is a hero in spite of himself—a reluctant conscript drafted into an elite military unit, and propelled through space and time to fight in a distant thousand-year conflict. He never wanted to go to war, but the leaders on Earth have drawn a line in the interstellar sand—despite the fact that their fierce alien enemy is unknowable, unconquerable, and very far away. So Mandella will perform his duties without rancor and even rise up through the military’s ranks…if he survives. But the true test of his mettle will come when he returns to Earth. Because of the time dilation caused by space travel the loyal soldier is aging months, while his home planet is aging centuries—and the difference will prove the saying: you never can go home…
A band of immortal-as charming a bunch of eccentrics as you’ll ever come across-recruit a new member, the brilliant Cherokee physicist Sequoya Guess. Dr. Guess, with group’s help, gain control of Extro, the supercomputer that controls all mechanical activity on Earth. They plan to rid Earth of political repression and to further Guess’s researches-which may lead to a great leap in human evolution to produce a race of supermen. But Extro takes over Guess instead and turns malevolent. The task of the merry band suddenly becomes a fight in deadly earnest for the future of Earth. .
Sequoya Guess, whom they love, must be killed. And how do you kill an immortal?
In Dhalgren, perhaps one of the most profound and bestselling science fiction novels of all time, Samuel R. Delany has produced a novel “to stand with the best American fiction of the 1970s” (Jonathan Lethem).
Bellona is a city at the dead center of the United States. Something has happened there…. The population has fled. Madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. And into this disaster zone comes a young man–poet, lover, and adventurer–known only as the Kid. Tackling questions of race, gender, and sexuality, Dhalgren is a literary marvel and groundbreaking work of American magical realism.
Ian Watson’s brilliant debut novel was one of the most significant publications in British sf in the 1970s. Intellectually bracing and grippingly written, it is the story of three experiments in linguistics, and is driven by a searching analysis of the nature of communication. Fiercely intelligent, energetic and challenging, it immediately established Watson as a writer of rare power and vision, and is now recognized as a modern classic.
It’s influenced William Gibson and been listed as one of the ten essential works of science fiction. Most importantly, Joanna Russ’s The Female Man is a suspenseful, surprising and darkly witty chronicle of what happens when Jeannine, Janet, Joanna, and Jael—four alternate selves from drastically different realities—meet.
A rash of suicides has sent shock waves through a tightly organized society that officially frowns on such an act but privately makes it unavoidable. How else could people endure in a world carefully calculated to rob its citizens of self-respect and dignity? One man struggles against the overpowering temptation to take his own life, because he realizes that he must survive or else give the strange unseen rulers final victory.
The characters in this extraordinary novel of the future share a host of psychiatric disturbances. One is haunted by strange visions in the night; another can reach sexual climax only in the confines of an old jalopy; others share schizophrenic fantasies that give frightening insight into the nature of their anguish.
In a garden sit the aged Kublai Khan and the young Marco Polo—Tartar emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts the emperor with tales of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. Soon it becomes clear that each of these fantastic places is really the same place.
Somewhere, spinning through another universe is an Earth where a twist of fate, a revolution and a few early inventions have made a world quite unlike our own. It is a world where Cavaliers and Puritans battle with the aid of observation balloons and steam trains; where Oberon and Titania join forces with King Arthur to resist the Industrial Revolution; and where the future meshes with the past in the shape of Valeria, time traveller from New York.
Writing separately, Larry Niven and Jerry Pournelle are responsible for a number of science fiction classics, such as the Hugo and Nebula Award-winning Ringworld, Debt of Honor, and The Integral Trees. Together they have written the critically acclaimed bestsellers Inferno, Footfall, and The Legacy of Heorot, among others.
The Mote In God’s Eye is their acknowledged masterpiece, an epic novel of mankind’s first encounter with alien life that transcends the genre.
Published in 1975, Ragtime changed our very concept of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War.
The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow’s imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.
In a not-too-distant future, the assassination of an all-powerful New York City Mayor has plunged the five boroughs back into a dangerous cesspool of crime, drugs, and prostitution. Professional prognosticator Lew Nichols joins the campaign team of a fast-rising politico running for the city’s top office, and is introduced to a man who privately admits to being able to view glimpses of the future. Lew becomes obsessed with capturing the man’s gift and putting it to use for his candidate, but struggles to accept the strict terms he arranges with his mentor…and the unforgiving predetermination of the future.