Results of the Man Booker Prize in the year 1996.
Graham Swift’s first novel since the highly acclaimed Ever After is a subtle yet deeply felt exploration of the ways in which friendship and love are shaped by the past and by fate. At its center is a group of men, friends since the Second World War, whose lives revolve around work, family, the racetrack, and their favorite pub. Now, the death of one of them, and the survivors’ task of driving their friend’s ashes from London to the seaside town where they’ll be scattered, compels them to take stock.
Through conversation and memory they trace the paths they have followed by choice and by accident: through war and its aftermath, through the dramas of their family lives and of their shifting relationships with one another. In brilliantly realized, richly humorous voices, Swift has created a narrative language that perfectly expresses not only the comforts of old habits and friendships but the profound emotional revelations this brief but far-reaching journey will bring them.
Margaret Atwood takes us back in time and into the life and mind of one of the most enigmatic and notorious women of the nineteenth century. Grace Marks has been convicted for her involvement in the vicious murders of her employer, the wealthy Thomas Kinnear, and of Nancy Montgomery, his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence after a stint in Toronto’s lunatic asylum, Grace herself claims to have no memory of the murders.
Dr. Simon Jordan, an up-and-coming expert in the burgeoning field of mental illness, is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story, from her family’s difficult passage out of Ireland into Canada, to her time as a maid in Thomas Kinnear’s household. As he brings Grace closer and closer to the day she cannot remember, he hears of the turbulent relationship between Kinnear and Nancy Montgomery, and of the alarming behavior of Grace’s fellow servant, James McDermott. Jordan is drawn to Grace, but he is also baffled by her. What will he find in attempting to unlock her memories? Is Grace a female fiend, a bloodthirsty femme fatale? Or is she a victim of circumstances?
On Wednesday, April 10, 1912, the RMS Titanic left Southampton on her maiden voyage to New York. Four days later, half an hour before midnight, she struck an iceberg. By 2 a.m. the last lifeboat had rowed frantically away. Minutes later the great ship sank. Fifteen hundred people had lost their lives. Every Man for Himself recaptures those four crucial days at the end of the Belle Epoque.
J. Pierpont Morgan’s nephew, en route to New York, has booked passage on the world’s most luxurious ocean liner. His companions include a host of Guggenheims, Vanderbilts, and upper crust fellow travelers. It is a voyage of black-tie dining and moonlight serenades, of illicit romances and reserved travelers with shadowy pasts. The young Morgan soon finds his destiny linked to those of his shipmates, memorable personalities all, as the great ship sails toward her fate. But the Titanic’s destiny…[more]
With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975. The place is an unnamed city by the sea. The government has just declared a State of Emergency, in whose upheavals four strangers—a spirited widow, a young student uprooted from his idyllic hill station, and two tailors who have fled the caste violence of their native village—will be thrust together, forced to share one cramped apartment and an uncertain future.
As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state.
Set in the small English village of Stonebridge in the Fifties, this is the story of eight-year-old April Harlency’s coming of age in a place where the charm of the local landscape contrasts sharply with the prejudices, vicious gossip, and vagaries of what we would now call child abuse. As the Harlency family moves from their rented rooms to run the Copper Kettle Tearoom (poorly), their ex-landlord hangs a notice on the window: “No Blacks. No Irish. No Pets.” April befriends the red-headed, energetic Ruby who lives above her parents’ butcher shop where, as April says, “I learned the fate of Pansy Pig and all her pink litter and burst into tears.” The two girls form an immediate and fast friendship. April also befriends the lonely Mr. Greenridge who presses his unwanted sexual advances on her. To escape the pressures of daily life, April and Ruby find a hideaway in the middle of an orchard where, together, they build the “camp of our dreams.”
Seamus Deane’s first novel is a mesmerizing story of childhood set against the violence of Northern Ireland in the 1940s and 1950s.
The boy narrator grows up haunted by a truth he both wants and does not want to discover. The matter: a deadly betrayal, unspoken and unspeakable, born of political enmity. As the boy listens through the silence that surrounds him, the truth spreads like a stain until it engulfs him and his family. And as he listens, and watches, the world of legend—the stone fort of Grianan, home of the warrior Fianna; the Field of the Disappeared, over which no gulls fly—reveals its transfixing reality. Meanwhile the real world of adulthood unfolds its secrets like a collection of folktales: the dead sister walking again; the lost uncle, Eddie, present on every page; the family house “as cunning and articulate as a labyrinth, closely designed, with someone sobbing at…[more]