Results of the Mythopoeic Fantasy Award in the year 1999.
In the sleepy English countryside at the dawn of the Victorian Era, life moves at a leisurely pace in the tiny town of Wall—a secluded hamlet so named for an imposing stone barrier that surrounds a fertile grassland. Armed sentries guard the sole gap in the bulwark to keep the inquisitive from wandering through, relaxing their vigil only once every nine years, when a market fair unlike any other in the world of men comes to the meadow.
Here in Wall, young Tristran Thorn has lost his heart to beautiful Victoria Forester. But Victoria is cold and distant—as distant, in fact, as the star she and Tristran see fall from the sky on a crisp October evening. For the coveted prize of Victoria’s hand, Tristran vows to retrieve the fallen star and deliver it to his beloved. It is an oath that sends the lovelorn swain over the ancient wall, and propels him into a world that is strange beyond imagining. …[more]
Carter Anderson’s father is the Master of the High House, a mystical dwelling filled with twisting corridors, magical books, and secret passageways. As Master, his father maintains not only the High House, but the world, keeping it safe from evil. Mr. Anderson sends Carter away for his own safety; but when Carter returns, he finds that the House’s worst enemies have invaded—and his father is nowhere to be found.
A tidal wave came, as high as the stars and hissing, and it washed away bathers, buildings, all civilization. Paul Sant survived by clinging to a surf mat. Eventually he found land-but unlike land he had ever know. Combining an allegory of good and evil with adventure that takes us through nightmare to salvation—including knights in armor, fish people called Gugs, and an ominous yelloe Volkswagon—R.E. Klein creates a world that is strange beyond our imagination yet familiar to the heart, a world where things may not be real, but they are true.
In The History of Our World Beyond the Wave, Klein imagines a world washed clean of materialism, cynicism, of the emptiness of modern life, a world where the metaphysical and the magical are again possible.
Here is Lily, a photojournalist in search of the “animal people” who supposedly haunt the city’s darkest slums. Here is Hank, who knows those slums all too well. One night, in a brutal incident, their lives collide—uptown Lily and downtown Hank, each with a quest and a role to play in the secret drama of the city’s oldest inhabitants.
For the animal people walk among us. Native Americans call them the First People, but they have never left, and they claim they city for their own.
Not only have Hank and Lily stumbled onto a secret, they’ve stumbled into a war. And in this battle for the city’s soul, nothing is quite as it appears.
As a child, Rook had been taken in by the bards of Luly, and raised as one of their own. Of his past he knew nothing—except faint memories of fire and death that he’d do anything to forget. But nightmares, and a new threat to the island that had become his own, would not let him escape the dreaded fate of his true family. Haunted by the music of the bards, he left the only home he knew to wander the land of the power-hungry basilisk who had destroyed his family. And perhaps, finally, to find a future in the fulfillment of his forgotten destiny.