Results of the Guardian Children's Fiction Prize in the year 2000.
Covered from head to toe with one-of-a-kind tattoos, Marigold is the brightest, most beautiful mother in the world. At least, that’s what Dolphin thinks—she just wishes Marigold wouldn’t stay out quite so late or have mood spells every now and again. Dolphin’s older sister, Star, loves Marigold too, but she’s tired of looking after her. So when Star’s dad shows up out of the blue and offers to let the girls stay with him, Star jumps at the opportunity. But Dolphin can’t bear to leave Marigold alone. Now it’s just the two of them, and Dolphin is about to be in over her head…
A young man has a near-death experience and finds himself at the end of a long tunnel. He is greeted by strangers who say they are expecting him "under a black sun at the end of a thousand years" and that the place is called Qantoum. He discovers that Qantoum is a town in deepest Asia.
For twelve long years, the dread fortress of Azkaban held an infamous prisoner named Sirius Black. Convicted of killing thirteen people with a single curse, he was said to be the heir apparent to the Dark Lord, Voldemort.
Now he has escaped, leaving only two clues as to where he might be headed: Harry Potter’s defeat of You-Know-Who was Black’s downfall as well. And the Azkaban guards heard Black muttering in his sleep “He’s at Hogwarts… he’s at Hogwarts.”
Harry Potter isn’t safe, not even within the walls of his magical school, surrounded by his friends. Because on top of it all, there may well be a traitor in their midst.
Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night’s Dream in a new replica of the famous Globe theater.
Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time four hundred years—to another London, and another production of A Midsummer Night’s Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life—in none other than William Shakespeare himself. Does Nat have to remain trapped in the past forever, or give up the friendship he’s so longed for in his own time?
“It was very deep, Kit. Very dark. And every one of us was scared of it. As a lad I’d wake up trembling, knowing that as a Watson born in Stoneygate I’d soon be following my ancestors into the pit,” so Kit’s grandfather tells him.
The Watson family moves to Stoneygate, an old coal-mining town, to care for Kit’s recently widowed grandfather. When Kit meets John Askew, another boy whose family had both worked and died in the mines, Askew invites Kit to join him to play a game called Death. As Kit’s grandfather provides stories of the mine’s past and the history of the Watson family, the boys search the mines to find the childhood ghosts of their long-gone ancestors.
Written in haunting prose and lyrical language, Kit’s Wilderness explores the bonds of family from one generation to the next, and how from the depths of darkness, meaning and beauty can be revealed.
For Kaninda, being in London is like being held captive—he's got to do everything he can to escape back to his home country of Lasai in Africa. Lasai is where Kaninda's every thought lies, with the revenge that must be taken against the warriors who entered his home one day and gunned down his family. They thought Kaninda was dead, too. But he is very much alive, staying silent, like a good soldier. As he plans his escape from London, he must fight on another front—a gang war that is drawing him in. Kaninda was trained to be a soldier. But can he live away from war?