Annal: 2002 Grammy Award for Album of the Year

Results of the Grammy Award in the year 2002.

Album:Come Away with Me

Come Away with Me

Norah Jones

It is not just the timbre of Norah Jones’s voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic “Cold Cold Heart” and Hoagy Carmichael’s “The Nearness of You” alone are worth the price of the CD. Jones’s own material, while not bad, pales a bit next to such masterpieces.…

Album:The Eminem Show

The Eminem Show

Eminem

Any lingering doubts as to the depth of Eminem’s skills or his potential for raw yet compelling honesty are dispelled on The Eminem Show’s first track. Armed with a quicksilver flow and a thundering rhythm track (the record was exec produced by longtime mentor and partner Dr. Dre), “White America” finds Eminem ferociously mauling the hand that feeds him, lambasting his critics, the industry, and the racism that, in many ways, helped make Marshall Mathers more than just another rapper. “Let’s do the math,” Em sneers, “If I was black I would have sold half/…

Album:Home (Dixie Chicks)

Home

Dixie Chicks

The Dixie Chicks aren’t old enough to remember when radio programmed pop records next to country, rock, folk, and beyond, but their Texas DNA tells them that’s the way music was meant to be heard. On Home, which they coproduced in Austin with Lloyd Maines, the father of lead singer Natalie Maines, they strip off the star-making gloss of Nashville and get down to the meat of the matter, turning out an acoustic record that gives a big Texas howdy to bluegrass. But that’s only the framework they use to salute all their influences, from the raggedy rock of…

Album:Nellyville

Nellyville

Nelly

When your debut album scans 8x platinum, why mess with the formula? That’s what Nelly must have been thinking on Nellyville, as he virtually carbon-copies the Country Grammar template on his follow-up. This time around, though, unusually large chunks of his rhyme schemes are fixated on tales of his rise from rags-to-bitches. On tracks like “Work It” (which sadly features Justin Timberlake of toy band ‘N Sync) and the title track, hip-hop’s materialistic excess hits a fever pitch. Still, “bling, bling” never sounded so good over St. Lunatics in-house…

Album:The Rising

The Rising

Bruce Springsteen

Although it seemed the Boss had put writing rock anthems behind him after Born in the U.S.A., his longtime fans knew if any artist could write anthems addressing September 11, 2001, and not make them sound jingoistic, it would be Bruce Springsteen. The numerous anthems on his much-anticipated first full-length album with the E Street Band in 18 years are subtler than those of the Born to Run era. But the elements are all there: the joyous rocking strains of “Countin’ on a Miracle,” “Mary’s Place,” and “Waitin’ on a Sunny Day”; the dark overtones of…

Views: 1,552 • Modified: • Elapsed: 0.016 sec