Results of the National Book Critics Circle Award in the year 2003.
Henry Townsend, a black farmer, bootmaker, and former slave, has a fondness for Paradise Lost and an unusual mentor—William Robbins, perhaps the most powerful man in antebellum Virginia’s Manchester County. Under Robbins’s tutelage, Henry becomes proprietor of his own plantation—as well as of his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart at their plantation: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery begin to betray one another. Beyond the Townsend estate, the known world also unravels: low-paid white patrollers stand watch as slave “speculators” sell free black people into slavery, and rumors of slave rebellions set white families against slaves who have served them for years.
An ambitious, luminously written novel that ranges seamlessly between the past and future and back again to the present, The Known World weaves together the lives of freed and enslaved blacks, whites, and Indians—and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery.
Monica Ali’s gorgeous first novel is the deeply moving story of one woman, Nazneen, born in a Bangladeshi village and transported to London at age eighteen to enter into an arranged marriage. Already hailed by the London Observer as “one of the most significant British novelists of her generation,” Ali has written a stunningly accomplished debut about one outsider’s quest to find her voice.
What could not be changed must be borne. And since nothing could be changed, everything had to be borne. This principle ruled her life. It was mantra, fettle, and challenge.
Nazneen’s inauspicious entry into the world, an apparent stillbirth on the hard mud floor of a village hut, imbues in her a sense of fatalism that she carries across continents when she is married off to Chanu, a man old enough to be her father.…[more]
From Caryl Phillips—acclaimed author of The Nature of Blood and The Atlantic Sound—a masterful new novel set in contemporary England, about an African man and an English woman whose hidden lives, and worlds, are revealed in their fragile, fateful connection.
Dorothy and Solomon live in a new housing estate on the outskirts of an English village. She’s recently bought her bungalow; he’s recently become the night watchman. He is black, an immigrant. She is white, a recently retired music teacher. They are both solitary, reticent outsiders. When they move tenuously toward each other and their paths briefly cross, neither of them can know that it will be the last true human contact either will have.
The novel unfolds into the past to show us how Solomon and Dorothy have arrived at this moment: Solomon, a former soldier,…[more]
The author of the genre-defining memoir This Boy’s Life, the PEN/Faulkner Award–winning novella The Barracks Thief, and short stories acclaimed as modern classics, Tobias Wolff now gives us his first novel.
Determined to fit in at his New England prep school, the narrator has learned to mimic the bearing and manners of his adoptive tribe while concealing as much as possible about himself. His final year, however, unravels everything he’s achieved, and steers his destiny in directions no one could have predicted.
The school’s mystique is rooted in Literature, and for many boys this becomes an obsession, editing the review and competing for the attention of visiting writers whose fame helps to perpetuate the tradition. Robert Frost, soon to appear at JFK’s inauguration, is far less controversial than the next visitor, Ayn Rand. But the final guest is one whose blessing a young writer…[more]
On Easter day, 1939, at Marian Anderson’s epochal concert on the Washington Mall, David Strom, a German Jewish émigré scientist, meets Delia Daley, a young Philadelphia Negro studying to be a singer. Their mutual love of music draws them together, and—against all odds and better judgment—they marry. They vow to raise their children beyond time, beyond identity, steeped in song. But their three children must survive America’s brutal here and now. Jonah, Joseph, and Ruth grow up during the Civil Rights era, come of age in the violent 1960s, and live out adulthood in the racially retrenched late century. Jonah, the eldest, “whose voice could make heads of state repent,” follows a life in his parents’ beloved classical music. Ruth, the youngest, chooses a militant activism and repudiates the white culture her brother represents. Joseph, the middle child and the narrator of this generational tale, struggles to remain connected to them both.
The Time of Our Singing is a story of self-invention, allegiance, race, cultural ownership, the compromised power of music, and the tangled loops of time that rewrite all belonging.