Results of the Orange Prize in the year 2003.
From the acclaimed author of Mary Reilly, a groundbreaking novel that reexamines the questions of power and resistance, violence and sex, which inform all her work.
Set in the surreal heat of the antebellum South during a slave rebellion, Property takes the form of a dramatic monologue, bringing to the page a voice rarely heard in American fiction: the voice of a woman slave holder. Manon Gaudet is pretty and petulant, self-absorbed and bored. She has come to a sugar plantation north of New Orleans as a bride, bringing with her a prized piece of property, the young slave Sarah, only to see Sarah become her husband’s mistress and bear his child. As the whispers of a slave rebellion grow louder and more threatening, Manon speaks to us of her past and her present, her longings and dreams – an uncensored, pitch-perfect voice from the heart of moral darkness. …[more]
Alex-Li Tandem sells autographs. A small blip in a huge worldwide network of desire, his business is to hunt for names on paper, collect them, sell them, and occasionally fake them—all to give the people what they want: a little piece of Fame. But what does Alex want? Only the return of his father, the reinstatement of some kind of all-powerful, benevolent God-type figure, the end of religion, something for his headache, three different girls, infinite grace, and the rare autograph of forties movie actress Kitty Alexander. With fries.
The Autograph Man is a deeply funny existential tour around the hollow things of modernity: celebrity, cinema, and the ugly triumph of symbol over experience. Through London and then New York, searching for the only autograph that has ever mattered to him, Alex follows the paper trail while resisting the mystical lure of Kabbalah and Zen, and avoiding all collectors, con men, and interfering rabbis who would put themselves in his path. Pushing against the tide of his generation, Alex-Li is on his way to finding enlightenment, otherwise known as some part of himself that cannot be signed, celebrated, or sold.
Anne Marie’s dad, a Glaswegian painter and decorator, has always been game for a laugh. So when he first takes up meditation at the Buddhist Center, no one takes him seriously. But as Jimmy becomes more involved in a search for the spiritual, his beliefs start to come into conflict with the needs of his wife, Liz. Cracks appear in their apparently happy family life, and the ensuing events change the lives of each family member.
Donovan completely captures these lives in her clear-eyed, evocative prose, rendered alternately in the voices of each of the main characters. With seamless grace and astonishing veracity, Buddha Da treats serious themes with humor and its characters with humanity.
The Nautilus, a strange building shaped like the chambered shell of the same name, was built in South London in the early 1930s. Designed on Modernist and Utopian principles, it was a haven for a floating community of cosmopolitan refugees, intellectuals and artists. Now, at the end of the century, only two of the original inhabitants still occupy their chambers—Celeste Zylberstein, joint architect with her late husband of the Nautilus, and Francis Campion, an elderly poet. Gus Crabb, a dealer in bric-a-brac, is the only other resident until, to the Nautilus, like a hermit crab seeking a home, comes Rowena Snow. Of Indian/Scottish parentage, orphaned, without family or friends, Rowena is in search of her own Utopia—or the Heligoland of her childhood imagination.
In a small Mississippi town, Harriet Cleve Dusfresnes grows up in the shadow of her brother, who—when she was only a baby—was found hanging dead from a black-tupelo tree in their yard. His killer was never identified, nor has his family, in the years since, recovered from the tragedy.
For Harriet, who has grown up largely unsupervised, in a world of her own imagination, her brother is a link to a glorious past she has only heard stories about or glimpsed in photograph albums. Fiercely determined, precocious far beyond her twelve years, and steeped in the adventurous literature of Stevenson, Kipling, and Conan Doyle, she resolves, one summer, to solve the murder and exact her revenge. Harriet’s sole ally in this quest, her friend Hely, is devoted to her, but what they soon encounter has nothing to do with child’s play: it is dark, adult, and all too menacing. …[more]
I’m not interested, the way some people are, in being sad. I’ve had a look, and there’s nothing down that road. Well now! What about the ripping sound behind my eyes, the starchy tearing of fabric, end to end; what about the need I have to curl up my knees when I sleep?
For all of her life, 44 year old Reta Winters has enjoyed the useful monotony of happiness: a loving family, good friends, growing success as a writer of light ‘summertime’ fiction. But this placid existence is cracked wide open when her beloved eldest daughter, Norah, drops out to sit on a gritty street corner, silent but for the sign around her neck that reads ‘GOODNESS.’ Reta’s search for what drove her daughter to such a desperate statement turns into an unflinching and surprisingly funny meditation on where we find meaning and hope.
Warmth, passion and wisdom come together in Shields’ remarkably supple prose. Unless, a harrowing but ultimately consoling story of one family’s anguish and healing, proves her mastery of extraordinary fictions about ordinary life.