Results of the Edgar Allan Poe Award® in the year 2006.
Chicago police officer Samantha Mack’s gun killed her partner. But who pulled the trigger?
Shadow-dodging through the glamorous world of 1950s Hollywood and its seedy flip side, Megan Abbott’s debut, Die a Little, is a gem of the darkest hue. This ingenious twist on a classic noir tale tells the story of Lora King, a schoolteacher, and her brother Bill, a junior investigator with the district attorney’s office. Lora’s comfortable, suburban life is jarringly disrupted when Bill falls in love with a mysterious young woman named Alice Steele, a Hollywood wardrobe assistant with a murky past.
Made sisters by marriage but not by choice, the bond between Lora and Alice is marred by envy and mistrust. Spurred on by inconsistencies in Alice’s personal history and possibly jealous of Alice’s hold on her brother, Lora finds herself lured into the dark alleys and mean streets of seamy Los Angeles. Assuming the role of amateur detective, she uncovers a shadowy world of…[more]
New York rule #1: Don’t make eye contact…
Samantha Leiffer has a self-centered self-help guru for a mother, a cadre of off-kilter Greenwich Village pals, and an ambisexually-cheating ex-boyfriend. She doesn’t need more grief. Then she spies two people dumping a dubious-looking ice chest into the Hudson River, and she has a chilling hunch about what’s inside.
Not being the kind of girl to let two psychos get away with murder, Sam sets out to unravel a mystery—and is soon being stalked by a sinister, shadowy figure who’s wearing one-of-a-kind mirrored contact lenses.
Now, aided by a tough (but still very hot) detective, Sam is poking into some unsavory places, and finding out more creepy stuff than she ever wanted to know.
In a riveting debut thriller that has drawn comparisons to masters of the genre like Dennis Lehane and Michael Connelly, Brian Freeman weaves obsession, sex, and revenge into a story that grips the reader with vivid characters and shocking plot twists from the first page to the last.
Lieutenant Jonathan Stride is suffering from an ugly case of déjà vu. For the second time in a year, a beautiful teenage girl has disappeared off the streets of Duluth, Minnesota—gone without a trace, like a bitter gust off Lake Superior. The two victims couldn’t be more different. First it was Kerry McGrath, bubbly, sweet sixteen. And now Rachel Deese, strange, sexually charged, a wild child. The media hounds Stride to catch a serial killer, and as the search carries him from the icy stillness of the northern woods to the erotic heat of Las Vegas, he must decide which facts are real and which are illusions. And Stride finds his own life changed forever by the secrets he uncovers. Secrets that stretch across time in a web of lies, death, and illicit desire. Secrets that are chillingly…immoral.
A detective faces a horrifying choice between love and duty in this hair-raising debut.
Reminiscent of the best in today’s suspense—from Jeffery Deaver’s roller-coaster twists to James Patterson’s cinematic pacing—Run the Risk introduces a blazing new talent in Scott Frost. As one of the writers behind Twin Peaks, he knows something about creating eerie and atmospheric tension. In this brilliant novel, he gives us a heroine who faces a challenge no one can ever be completely prepared for and a story as urgently and viscerally told as any in recent memory.
Los Angeles homicide detective Alex Delillo works a case that chills her from the start: one with too much ambiguity and far too many surprises. None of the evidence—and yet all of it—seems relevant. A small-time shopkeeper is shot to death. Then a rare, untraceable explosive ignites in a bungalow, hurling the front door across the yard. Finally, a teenaged girl goes missing,…[more]