Results of the International IMPAC Dublin Literary Award in the year 2007.
We were going out stealing horses. That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and one of the first days of July.
Trond’s friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning was different. What began as a joy ride on “borrowed” horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that day—an incident that marks the beginning of a series of vital losses for both boys.
Set in the easternmost region of Norway, Out Stealing Horses begins with an ending. Sixty-seven-year-old Trond has settled into a rustic cabin in an isolated area to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer.
Searching for clues, no one would ever guess that the lives of Arthur and George might intersect. Growing up in shabby-genteel nineteenth-century Edinburgh, Arthur is saddled with a dad who is a disgrace and a mum he wishes to protect, and is propelled into a life of action. To his astonishment, his career as a self-made man of letters brings him riches and fame and, in the world at large, he becomes the perfect picture of the honourable English gentlemen.
George is irredeemably an outsider, and has no hope of becoming such a picture. Though he’s dogged and logical, a vicar’s son from rural Staffordshire, he is set apart, and he and his family are targeted in his boyhood by a poison-pen campaign. George finds safe harbour in the reliability of rules, and grows up to become a solicitor, putting his faith in the insulating value of British justice. …[more]
Jonathan Safran Foer emerged as one of the most original writers of his generation with his best-selling debut novel, Everything Is Illuminated. Now, with humor, tenderness, and awe, he confronts the traumas of our recent history.
Nine-year-old Oskar Schell has embarked on an urgent, secret mission that will take him through the five boroughs of New York. His goal is to find the lock that matches a mysterious key that belonged to his father, who died in the World Trade Center on the morning of September 11. This seemingly impossible task will bring Oskar into contact with survivors of all sorts on an exhilarating, affecting, often hilarious, and ultimately healing journey.
In 1914, Willie Dunne, barely eighteen years old, leaves behind Dublin, his family and the girl he plans to marry in order to enlist in the Allied forces and face the Germans on the Western Front. Once there he encounters violence on a scale he could not have imagined and sustains his spirit with only the words on the pages from home and the camaraderie of the mud-covered Irish boys who fight and die by his side. Dimly aware of the political tensions that have grown in Ireland in his absence, Willie returns on leave to find a world split and ravaged by forces closer to home. Despite the comfort he finds with his family, he knows that he must rejoin his regiment and fight until the end.
Sebastian Barry renders Willie’s personal struggle as well as the overwhelming consequences of war.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim’s burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes how desperately Moss and his young wife need protection. One party in the failed transaction hires an ex–Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular violence and mayhem. The pursuit stretches up and down and across the border, each participant seemingly determined to answer what one asks another: how does a man decide in what order to abandon his life?
A harrowing story of a war that society is waging on itself, and an enduring meditation on the ties of love and blood and duty that inform lives and shape destinies, No Country for Old Men is a novel of extraordinary resonance and power.
Los Angeles, 1991. Maximilian Ophuls, one of the makers of the modern world, is knifed to death in broad daylight on the doorstep of his illegitimate daughter India, slaughtered by his Kashmiri Muslim driver, a mysterious figure who calls himself Shalimar the clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former United States ambassador to India, and subsequently America’s counter-terrorism chief. The murder looks at first like a political assassination but turns out to be passionately personal.
This is the story of Max, his killer, and his daughter—and of a fourth character, the woman who links them, whose revelation finally explains them all. It is a narrative that moves from California to Kashmir, France, and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. There is kindness and there is magic capable of producing miracles, but there is also war—ugly, unavoidable, and seemingly interminable. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous.
This is the story of four seasons in the life of Charles Wenmouth, a twenty-seven-year-old apprentice blacksmith and Methodist lay preacher in Cornwall in 1870. Life is at its hardest; poverty is everywhere. Charles crosses and recrosses the raw, beautiful landscape, attending to the sick and helping the poor, preaching in chapels with ever-dwindling congregations. He questions his faith along the way but never quite loses it, balancing it with the pleasure he takes in nature, the light in the skies, the colors of the earth, and in his attachment to a girl to whom he is drawn by the piety and patience she maintains despite her long illness.
Inspired by the language of his great-great-grandfather’s diaries and the Bible, influenced by authors as diverse as Hardy, Blake, and Faulkner, Peter Hobbs has created a first novel of breathtaking ambition and stylistic innovation, and of enormous emotional power.
When photographer Paul Rayment loses his leg in a bicycle accident, his solitary life is irrevocably changed whether he likes it or not. Stubbornly refusing a prosthesis, Paul returns to his bachelor’s apartment in Adelaide, Australia, uncomfortable with his new dependency on others. He is given to bouts of hopelessness and resignation as he looks back on his sixty years of life, but his spirits are lifted when he finds himself falling in love with Marijana, his practical, down-to-earth Croatian nurse who is struggling to raise her family in a foreign land. As Paul contemplates how to win her heart, he is visited by the mysterious writer Elizabeth Costello, who challenges Paul to take an active role in his own life.
In this new book, Coetzee offers a profound meditation on what makes us human, on what it means to grow older and reflect on how we have lived our lives. Like all great works of literature, Slow Man is a novel that asks questions but rarely…[more]