Results of the Barry Award in the year 2010.
In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison.
It is the summer of 1950–and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.
For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. “I wish I could say I was afraid, but I wasn’t. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.”
Stella Hardesty dispatched her abusive husband with a wrench shortly before her fiftieth birthday. A few years later, she’s so busy delivering home-style justice on her days off, helping other women deal with their own abusive husbands and boyfriends, that she barely has time to run her sewing shop in her rural Missouri hometown. Some men need more convincing than others, but it’s usually nothing a little light bondage or old-fashioned whuppin’ can’t fix. Since Stella works outside of the law, she’s free to do whatever it takes to get the job done—as long as she keeps her distance from the handsome devil of a local sheriff, Goat Jones.
When young mother Chrissy Shaw asks Stella for help with her no-good husband, Roy Dean, it looks like an easy case. Until Roy Dean disappears with Chrissy’s two-year-old son, Tucker. Stella quickly learns that Roy Dean was involved with some very…[more]
Dr. Peter Brown is an intern at Manhattan’s worst hospital, with a talent for medicine, a shift from hell, and a past he’d prefer to keep hidden. Whether it’s a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.
Pietro “Bearclaw” Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he’s the last person you want to see in your hospital room.
Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown’s new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person… …[more]
Writing in the tradition of Dennis Lehane and Greg Iles, Attica Locke delivers a brilliant debut thriller that readers will not soon forget.
Jay Porter is hardly the lawyer he set out to be. His most promising client is a low-rent call girl and he runs his fledgling law practice out of a dingy strip mall. But he’s long since made peace with not living the American Dream and carefully tucked away his darkest sins: the guns, the FBI file, the trial that nearly destroyed him.
Houston, Texas, 1981. It is here that Jay believes he can make a fresh start. That is, until the night in a boat out on the bayou when he impulsively saves a woman from drowning—and opens a Pandora’s box. Her secrets put Jay in danger, ensnaring him in a murder investigation that could cost him his practice, his family, and even his life. But before he can get to the bottom…[more]
Fegan has been a “hard man,” an IRA killer in northern Ireland. Now that peace has come, he is being haunted day and night by twelve ghosts: a mother and infant, a schoolboy, a butcher, an RUC constable, and seven other of his innocent victims. In order to appease them, he’s going to have to kill the men who gave him orders.
As he’s working his way down the list he encounters a woman who may offer him redemption; she has borne a child to an RUC officer and is an outsider too. Now he has given Fate—and his quarry—a hostage. Is this Fegan’s ultimate mistake?
Even though hardened crime reporter Hannah Vogel knows all too well how tough it is to survive in 1931 Berlin, she is devastated when she sees a photograph of her brother’s body posted in the Hall of the Unnamed Dead. Ernst, a cross-dressing lounge singer at a seedy nightclub, had many secrets, a never-ending list of lovers, and plenty of opportunities to get into trouble.
Hannah delves into the city’s dark underbelly to flush out his murderer, but the late night arrival of a five-year-old orphan on her doorstep complicates matters. The endearing Anton claims that Hannah is his mother… and that her dead brother Ernst is his father.
As her investigations into Ernst’s murder and Anton’s parentage uncover political intrigue and sex scandals in the top ranks of the rising Nazi party, Hannah fears not only for her own life, but for that of a small boy who has come to call her “mother.”