Results of the Costa Book Award in the year 2011.
A year of bones, of grave-dirt, relentless work. Of mummified corpses and chanting priests. A year of rape, suicide, sudden death. Of friendship too. Of desire. Of love…A year unlike any other he has lived.
Deep in the heart of Paris, its oldest cemetery is, by 1785, overflowing, tainting the very breath of those who live nearby. Into their midst comes Jean-Baptiste Baratte, a young, provincial engineer charged by the king with demolishing it. At first Baratte sees this as a chance to clear the burden of history, a fitting task for a modern man of reason. But before long, he begins to suspect that the destruction of the cemetery might be a prelude to his own.
The lives of two very different couples are irrevocably intertwined and forever changed in this stunning World War I epic of love and war.
From the day in 1907 that eleven-year-old Riley Purefoy meets Nadine Waveney, daughter of a well-known orchestral conductor, he takes in the difference between their two families: his, working-class; hers, “posh” and artistic. Just a few years later, romance and these differences erupt simultaneously with the war in Europe. In a fit of fury and boyish pride, Riley enlists in the army and finds himself involved in the transformative nightmare of the twentieth century.
While Riley and his commanding officer, Peter Locke, fight for their country and their survival in the trenches of Flanders, Peter’s lovely and naive wife, Julia, and his cousin Rose eagerly await his return. But the sullen, distant man who arrives…[more]
Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life.Now Tony is in middle age. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove.
The Sense of an Ending is the story of one man coming to terms with the mutable past. Laced with trademark precision, dexterity and insight, it is the work of one of the world’s most distinguished writers.
At a critical point in her career, painter Angelika Rossdal suddenly moves to Kvaloya, a small island deep in the Arctic Circle, to dedicate herself to the solitary pursuit of her craft. With her, she brings her young daughter, Liv, who grows up isolated and unable or unwilling to make friends her own age, spending much of her time alone, or with an elderly neighbour, Kyrre Jonsson, who beguiles her with old folk tales and stories about trolls, mermaids and—crucially for the events that unfold in the summer of her eighteenth year—about the huldra, a wild spirit who appears in the form of an irresistibly beautiful girl, to lure young men to their doom.
Now twenty-eight, Liv looks back on her life and particularly to that summer when two boys drowned under mysterious circumstances in the still moonlit waters off the shores of Kvaloya. Were the deaths accidental, or were the boys, as Kyrre believes,…[more]