Results of the Giller Prize in the year 2011.
Chip told them not to go out. Said don’t you boys tempt the devil, but the cheap beer in his gut made Hieronymus think a glass of milk would be worth the risk. Of course Chip was right, and the star musician on the European scene was taken away that night by the Boots. An easy target, being a mixed-race German. Fifty years later, Sidney, the only witness that day, is going back. He swore he wouldn’t, but Chip always was persuasive. Full of surprises too, like the mysterious letter he kept a secret that begins Sid’s slow journey towards redemption.
Esi Edugyan’s novel weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don’t tell your story, someone else might tell it for you. And they just might tell it wrong…
Against his will and his nature, the hulking Gordon Rankin (“Rank”) is cast as an enforcer, a goon—by his classmates, his hockey coaches, and especially his own “tiny,angry” father, Gordon Senior. Rank gamely lives up to his role—until tragedy strikes, using Rank as its blunt instrument. Escaping the only way he can, Rank disappears. But almost twenty years later he discovers that an old, trusted friend—the only person to whom he has ever confessed his sins—has published a novel mirroring Rank’s life. The betrayal cuts to the deepest heart of him, and Rank will finally have to confront the tragic true story from which he’s spent his whole life running away.
With the deep compassion, deft touch, and irreverent humour that have made her one of Canada’s best-loved novelists, Lynn Coady delves deeply into the ways we sanction and stoke male violence, giving us a large-hearted, often hilarious portrait of a man tearing himself apart in order to put himself back together.
From an emerging master of short fiction and one of Canada’s most distinctive voices, a collection of stories as heartbreaking as those of Lorrie Moore and as hilariously off-kilter as something out of McSweeney’s.
In Better Living through Plastic Explosives, Zsuzsi Gartner delivers a powerful second dose of the lacerating satire that marked her acclaimed debut, All the Anxious Girls on Earth, but with even greater depth and darker humour. Whether she casts her eye on evolution and modern manhood when an upscale cul-de-sac is thrown into chaos after a redneck moves into the neighbourhood, international adoption, war photography, real estate, the movie industry, motivational speakers, or terrorism, Gartner filets the righteous and the ridiculous with dexterity in equal, glorious measure. These stories ruthlessly expose our most secret desires, and allow us to snort with laughter at the grotesque world we’d live in if we all got what we wanted.
In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table”—as far from the Captain’s Table as can be—with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator’s elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself “with a distant eye” for the first time, and to feel the first stirring of desire. Another Cat’s Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever. …[more]
Summer, 1978. Brezhnev sits like a stone in the Kremlin, Israel and Egypt are inching towards peace, and in the bustling, polyglot streets of Rome, strange new creatures have appeared: Soviet Jews who have escaped to freedom through a crack in the Iron Curtain. Among the thousands who have landed in Italy to secure visas for new lives in the West are the members of the Krasnansky family—three generations of Russian Jews.
There is Samuil, an old Communist and Red Army veteran, who reluctantly leaves the country to which he has dedicated himself body and soul; Karl, his elder son, a man eager to embrace the opportunities emigration affords; Alec, his younger son, a carefree playboy for whom life has always been a game; and Polina, Alec’s new wife, who has risked the most by breaking with her old family to join this new one. Together, they will spend six months in Rome—their way station and purgatory. They will immerse…[more]
Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn’t share his brother’s appetite for whiskey and killing, he’s never known anything else. But their prey isn’t an easy mark, and on the road from Oregon City to Warm’s gold-mining claim outside Sacramento, Eli begins to question what he does for a living—and whom he does it for.
With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters—losers, cheaters, and ne’er-do-wells from all stripes of life—and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.