Results of the Boston Globe-Horn Book Award in the year 2012.
This fascinating, interactive autobiography presents Chuck Close’s story, his art, and a discussion of the many processes he uses in the studio. The question-and-answer format is based on real kids’ inquiries about Close’s life and work, and his answers to them. Close, who is wheelchair-bound and paints with a brush strapped to his arm, discusses the severe dyslexia and face blindness he has struggled with since childhood, as well as a collapsed spinal artery that left him nearly paralyzed at the age of 48.
An engaging feature of the book is a mix-and-match Chuck Close self-portrait section. This hands-on component encourages the reader to create new and interesting combinations of Close’s techniques and images. The book also includes an illustrated chronology of Close’s life, a list of museums where his work can be seen, and an index.
In the sprawling African scrub desert of Etosha National Park, they call her “the mother of all elephants.” Camouflaged and peering through binoculars, Caitlin O’Connell—the American scientist who traveled to Namibia to study African elephants in their natural habitat—could not believe what she was seeing. As the mighty matriarch scanned the horizon, the other elephants followed suit, stopping midstride and standing as still as statues. The observation would be one of many to guide O’Connell to a groundbreaking discovery!
Georgia O’Keeffe was famous for painting exactly what she wanted, whether flowers or skulls. Who would ever dare to tell her what to paint? The Hawaiian Pineapple Company tried. Luckily for them, Georgia fell in love with Hawaii. There she painted the beloved green islands, vibrant flowers, feathered fishhooks, and the blue, blue sea. But did she paint what the pineapple company wanted most of all? Amy Novesky’s lyrical telling of this little-known story and Yuyi Morales’s gorgeous paintings perfectly capture Georgia’s strong artistic spirit. The book includes an author’s note, illustrator’s note, bibliography, map of the islands, and endpapers that identify Georgia’s favorite Hawaiian flowers.