Author: Charles Rosen

Information about the author.

Works

Book:The Classical Style: Haydn, Mozart, Beethoven

The Classical Style: Haydn, Mozart, Beethoven

Charles Rosen

This outstanding book treating the three most beloved composers of the Vienna School is considered basic to any study of classical-era music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language.

Book:Piano Notes: The World of the Pianist

Piano Notes: The World of the Pianist

Charles Rosen

Charles Rosen is one of the world’s most talented pianists—and one of music’s most astute commentators. Known as a performer of Bach, Beethoven, Stravinsky, and Elliott Carter, he has also written highly acclaimed criticism for sophisticated students and professionals.

In Piano Notes, he writes for a broader audience about an old friend—the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights—from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound. Rosen reveals Nadia Boulanger’s favorite way to avoid commenting on the performances…[more]

Book:Critical Entertainments

Critical Entertainments: Music Old and New

Charles Rosen

An extraordinarily gifted musician and writer, Charles Rosen is a peerless commentator on the history and performance of music. Critical Entertainments brings together many of the essays that have established him as one of the most influential and eloquent voices in the field of music in our time. These essays cover a broad range of musical forms, historical periods, and issues-from Bach through Brahms to Carter and Schoenberg, from contrapuntal keyboard music to opera, from performance practices to music history as a discipline. They revisit Rosen’s favorite subjects and pursue some less familiar paths. They court controversy (with strong opinions about performance on historical instruments, the so-called New Musicology, and the alleged “death” of classical music) and offer enlightenment on subjects as diverse as music dictionaries and the aesthetics of stage fright. All are unified by Rosen’s abiding concerns and incomparable style. In sum, Critical Entertainments is a treasury of the vast learning, wit, and insight that we have come to expect from this remarkable writer. It will delight all music lovers.

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