British children's writer.
- Official Website
- David Almond at Wikipedia
- David Almond at Contemporary Writers
- David Almond at Library Thing
When a move to a new house coincides with his baby sister's illness, Michael's world seems suddenly lonely and uncertain. Then, one Sunday afternoon, he stumbles into the old, ramshackle garage of his new home, and finds something magical. A strange creature - part owl, part angel, a being who needs Michael's help if he is to survive. With his new friend Mina, Michael nourishes Skellig back to health, while his baby sister languishes in the hospital. But Skellig is far more than he at first appears, and as he helps Michael breathe life into his tiny sister, Michael's world changes for ever ...
Bobby Burns knows he’s a lucky lad. Growing up in sleepy Keely Bay, Bobby is exposed to all manner of wondrous things: stars reflecting off the icy sea, a friend that can heal injured fawns with her dreams, a man who can eat fire. But darkness seems to be approaching Bobby’s life from all sides. Bobby’s new school is a cold, cruel place. His father is suffering from a mysterious illness that threatens to tear his family apart. And the USA and USSR are testing nuclear missiles and creeping closer and closer to a world-engulfing war.
Together with his wonder-working friend, Ailsa Spink, and the fire-eating illusionist McNulty, Bobby will learn to believe in miracles that will save the people and place he loves.
“It was very deep, Kit. Very dark. And every one of us was scared of it. As a lad I’d wake up trembling, knowing that as a Watson born in Stoneygate I’d soon be following my ancestors into the pit,” so Kit’s grandfather tells him.
The Watson family moves to Stoneygate, an old coal-mining town, to care for Kit’s recently widowed grandfather. When Kit meets John Askew, another boy whose family had both worked and died in the mines, Askew invites Kit to join him to play a game called Death. As Kit’s grandfather provides stories of the mine’s past and the history of the Watson family, the boys search the mines to find the childhood ghosts of their long-gone ancestors.
Written in haunting prose and lyrical language, Kit’s Wilderness explores the bonds of family from one generation to the next, and how from the depths of darkness, meaning and beauty can be revealed.
Fourteen-year-old Davie and his best friend, Geordie, are altar boys at their local Catholic Church. They’re full of mischief, but that all changes when Stephen Rose comes to town. Father O’Mahoney thinks it would be a good idea for Davie and Geordie to befriend him—maybe some of their good nature will rub off on this unhappy soul. But it’s Stephen who sees something special in Davie.
Stephen’s a gifted sculptor. One day as Davie looks on, Stephen brings a tiny figure to life. It’s a talent he has, the gift of creation—and he knows that Davie has this talent, too. Davie allows Stephen to convince him to help bring a life-size figure to life—and Clay is born. Clay is innocent, but Stephen has special plans for him.
What has Davie helped to unleash on the world?
Mina loves the night. While everyone else is in a deep slumber, she gazes out the window, witness to the moon’s silvery light. In the stillness, she can even hear her own heart beating. This is when Mina feels that anything is possible and her imagination is set free.
A blank notebook lies on the table. It has been there for what seems like forever. Mina has proclaimed in the past that she will use it as a journal, and one night, at last, she begins to do just that. As she writes, Mina makes discoveries both trivial and profound about herself and her world, her thoughts and her dreams.
Award-winning author David Almond reintroduces readers to the perceptive, sensitive Mina before the events of Skellig in this lyrical and fantastical work. My Name is Mina is not only a pleasure to read, it is an intimate and enlightening look at a character whose open mind and heart have much to teach us about life, love, and the mysteries that surround us.
Erin Law and her friends are Damaged Children. At least that is the label given to them by Maureen, the woman who runs the orphanage that they live in. Damaged, Beyond Repair because they have no parents to take care of them. But Erin knows that if they care for each other they can put up with the psychologists, the social workers, the therapists—at least most of the time. Sometimes there is nothing left but to run away, to run for freedom. And that is what Erin and two friends do, run away one night downriver on a raft.
What they find on their journey is stranger than you can imagine, maybe, and you might not think it’s true. But Erin will tell you it is all true. And the proof is a girl named Heaven Eyes, who sees through all the darkness in the world to the joy that lies beneath.
A boy escapes home to seek his own way in the world in a whimsical new outing by the award-winning David Almond, illustrated by Oliver Jeffers.
Stanley Potts’s uncle Ernie has developed an over-the-top fascination with canning fish in the house, and life at 69 Fish Quay Lane has turned barmy. But there’s darkness in the madness, and when Uncle Ernie’s obsession takes an unexpectedly cruel turn, Stan has no choice but to leave. As he journeys away from the life he’s always known, he mingles with a carnival full of eccentric characters and meets the legendary Pancho Pirelli, the man who swims in a tank full of perilous piranhas. Will Stan be bold enough to dive in the churning waters himself and choose his own destiny?
The ineffable nature of grieving and belief inspires a tender, gritty, and breathtaking work of graphic storytelling from the creators of The Savage.
“Slogger, man,” I said. “Your dad s dead.”
“I know that, Davie. But it’s him. He’s come back again, like he said he would.”
Do you believe in life after death? Slog does. He believes that the scruffy man on a bench outside the butcher shop is his dad, returned to visit him one last time. Slog’s friend Davie isn’t so sure. Can it be that some mysteries are never meant to be solved? And that belief, at times, is its own reward?
The acclaimed creators of The Savage reunite for a feat of graphic storytelling that defies categorization. Eerie, poignant, and masterful, Slog’s Dad is a tale of astonishing power and complexity.
Mysterious and utterly mesmerizing, this graphic-novel-within-a-novel pairs the extraordinary prose of David Almond with the visual genius of Dave McKean.
Blue Baker is writing a story—not all that stuff about wizards and fairies and happily ever after—a real story, about blood and guts and adventures, because that’s what life’s really like. At least it is for Blue, since his dad died and Hopper, the town bully, started knocking him and the other kids around. But Blue’s story has a life of its own—weird and wild and magic and dark—and when the savage pays a nighttime visit to Hopper, Blue starts to wonder where he ends and his creation begins.