Information about the author.
“Tell your story walking.”
St. Vincent’s Home for Boys, Brooklyn, early 1970s. For Lionel Essrog, a.k.a. The Human Freakshow, a victim of Tourette’s syndrome (an uncontrollable urge to shout out nonsense, touch every surface in reach, rearrange objects), Frank Minna is a savior. A local tough guy and fixer, Minna shows up to take Lionel and three of his fellow orphans on mysterious errands: they empty a store of stereos as the owner watches; destroy a small amusement park; visit old Italian men. The four grow up to be the Minna Men, a fly-by-night detective agency-cum-limo service, and their days and nights revolve around Frank, the prince of Brooklyn, who glides through life on street smarts, attitude, and secret knowledge. Then one dreadful night, Frank is knifed and thrown into a Dumpster, and Lionel must become a real detective. …[more]
Seven stories by the author of Gun, with Occasional Music, Amnesia Moon, and the bestselling As She Climbed Across the Table.
Genre-bending, acid, extravagant, funny, surreal, and above all brilliant, Johnathan Lethem is “the hottest young author in the science fiction field.” (The Washington Post)
Enter his world at your own risk…and prepare to be changed.
What’s a novelist supposed to do with contemporary culture? And what’s contemporary culture supposed to do with novelists? In The Ecstasy of Influence, Jonathan Lethem, tangling with what he calls the “white elephant” role of the writer as public intellectual, arrives at an astonishing range of answers.
A constellation of previously published pieces and new essays as provocative and idiosyncratic as any he’s written, this volume sheds light on an array of topics from sex in cinema to drugs, graffiti, Bob Dylan, cyberculture, 9/11, book touring, and Marlon Brando, as well as on a shelf’s worth of his literary models and contemporaries: Norman Mailer, Paula Fox, Bret Easton Ellis, James Wood, and others. And, writing about Brooklyn, his father, and his sojourn through two decades of writing, Lethem sheds an equally strong light on himself.
This is the story of two boys, Dylan Ebdus and Mingus Rude. They are friends and neighbors, but because Dylan is white and Mingus is black, their friendship is not simple. This is the story of their Brooklyn neighborhood, which is almost exclusively black despite the first whispers of something that will become known as “gentrification.”
This is the story of 1970s America, a time when the most simple human decisions—what music you listen to, whether to speak to the kid in the seat next to you, whether to give up your lunch money—are laden with potential political, social and racial disaster. This is the story of 1990s America, when no one cared anymore.
This is the story of punk, that easy white rebellion, and crack, that monstrous plague. This is the story of the loneliness of the avant-garde artist and the exuberance of the graffiti artist. …[more]
Gumshoe Conrad Metcalf has problems-there’s a rabbit in his waiting room and a trigger-happy kangaroo on his tail. Near-future Oakland is a brave new world where evolved animals are members of society, the police monitor citizens by their karma levels, and mind-numbing drugs such as Forgettol and Acceptol are all the rage.
Metcalf has been shadowing Celeste, the wife of an affluent doctor. Perhaps he’s falling a little in love with her at the same time. When the doctor turns up dead, our amiable investigator finds himself caught in a crossfire between the boys from the Inquisitor’s Office and gangsters who operate out of the back room of a bar called the Fickle Muse.
Mixing elements of sci-fi, noir, and mystery, this clever first novel from the author of Motherless Brooklyn is a wry, funny, and satiric look at all that the future may hold.