Margaret Eleanor Atwood, CC (born November 18, 1939) is a Canadian writer. A prolific poet, novelist, literary critic, feminist and activist, she is a winner of the Booker Prize, the Arthur C. Clarke Award, and has been a finalist for the Governor General's Award seven times, winning twice. While she is best known for her work as a novelist, her poetry is noteworthy; many of her poems have been inspired by myths and fairy tales, which were an interest of hers from an early age. She lives in Toronto.
In the world of the near future, who will control women’s bodies?
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable.
Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now.
Funny, unexpected, horrifying, and altogether convincing, The Handmaid’s Tale is at once scathing satire, dire warning, and tour de force.
Margaret Atwood takes the art of storytelling to new heights in a dazzling new novel that unfolds layer by astonishing layer and concludes in a brilliant and wonderfully satisfying twist.
For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious.
The novel opens with these simple, resonant words: “Ten days after the war ended, my sister drove a car off the bridge.” They are spoken by Iris, whose terse account of her sister Laura’s death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura’s story, Atwood introduces a novel-within-a- novel.…[more]
Margaret Atwood takes us back in time and into the life and mind of one of the most enigmatic and notorious women of the nineteenth century. Grace Marks has been convicted for her involvement in the vicious murders of her employer, the wealthy Thomas Kinnear, and of Nancy Montgomery, his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence after a stint in Toronto’s lunatic asylum, Grace herself claims to have no memory of the murders.
Dr. Simon Jordan, an up-and-coming expert in the burgeoning field of mental illness, is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story, from her family’s difficult passage out of Ireland into Canada, to her time as a maid in Thomas Kinnear’s household. As he brings Grace closer and closer to the day she cannot remember, he hears of the turbulent relationship between Kinnear and Nancy Montgomery, and of the alarming behavior of Grace’s fellow servant, James McDermott. Jordan is drawn to Grace, but he is also baffled by her. What will he find in attempting to unlock her memories? Is Grace a female fiend, a bloodthirsty femme fatale? Or is she a victim of circumstances?
A stunning and provocative new novel by the internationally celebrated author of The Blind Assassin, winner of the Booker Prize, Margaret Atwood’s new novel is so utterly compelling, so prescient, so relevant, so terrifyingly-all-too-likely-to-be-true, that readers may find their view of the world forever changed after reading it. With breathtaking command of her shocking material and with her customary sharp wit and dark humour, Atwood projects us into a conceivable future of our own world, an outlandish yet wholly believable place left devastated in the wake of ecological and scientific disaster and populated by characters who will continue to inhabit your dreams long after the book is closed. This is Margaret Atwood at the absolute peak of her powers. For readers of Oryx and Crake, nothing will ever look the same again.
Cat’s Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, an artist, and a woman—but above all she must seek release from her haunting memories.
Disturbing, hilarious, and compassionate, Cat’s Eye is a breathtaking novel of a woman grappling with the tangled knot of her life.
“Homer’s Odyssey is not the only version of the story. Mythic material was originally oral, and also local—a myth would be told one way in one place and quite differently in another. I have drawn on material other than the Odyssey, especially for the details of Penelope’s parentage, her early life and marriage, and the scandalous rumors circulating about her. I’ve chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn’t hold water: there are too many inconsistencies. I’ve always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself.”—from Margaret Atwood’s Foreword to The Penelopiad
Exploring the paradox of female villainy, this tale of three fascinating women is another peerless display of literary virtuosity by the supremely gifted author of Cat’s Eye and The Handmaid’s Tale. Roz, Charis and Tony all share a wound, and her name is Zenia. Beautiful, smart and hungry, by turns manipulative and vulnerable, needy and ruthless, Zenia is the turbulent center of her own perpetual saga. She entered their lives in the sixties, when they were in college. Over the three decades since, she has damaged each of them badly, ensnaring their sympathy, betraying their trust, and treating their men as loot. Then Zenia dies, or at any rate the three women—with much relief—attend her funeral. But as The Robber Bride begins, Roz, Charis and Tony have come together at a trendy restaraunt for their monthly lunch when in walks the seemingly resurrected Zenia…
In this consistently entertaining and profound new novel, Margaret Atwood reports from the farthest reaches of the war between the sexes with her characteristic well-crafted prose, rich and devious humor, and compassion.
An award-winning collection of ten stories that charts the complexities of modern life and explores the strange and secret places of the heart. The gruesome discoveries of an archaeological dig in Britain find parallels in a contemporary love affair; a girl disappears without a trace and returns to haunt a collection of landscape paintings; a nineteenth-century case of mass-poisoning on the famous Franklin Expedition stirs memories of a dead friend; a woman exacts a fittingly wicked revenge on her ex-lover; a well-known journalist is betrayed by a former mentor and friend. Brilliantly rendered, disturbing, poignant at times, scathingly humorous at others, Wilderness Tips imbues the familiar world in which we live with indelible truths.