Information about the author.
Sons of Mississippi recounts the story of seven white Mississippi lawmen depicted in a horrifically telling 1962 Life magazine photograph—and of the racial intolerance that is their legacy.
In that photograph, which appears on the front of this jacket, the lawmen (six sheriffs and a deputy sheriff) admire a billy club with obvious pleasure, preparing for the unrest they anticipate—and to which they clearly intend to contribute—in the wake of James Meredith’s planned attempt to integrate the University of Mississippi. In finding the stories of these men, Paul Hendrickson gives us an extraordinarily revealing picture of racism in America at that moment. But his ultimate focus is on the part this legacy has played in the lives of their children and grandchildren.
One of them is a grandson—a high school dropout and many times married—who achieves an elegant poignancy in his struggle…[more]
From a National Book Critics Circle Award winner, a brilliantly conceived and illuminating reconsideration of a key period in the life of Ernest Hemingway that will forever change the way he is perceived and understood.
Focusing on the years 1934 to 1961—from Hemingway’s pinnacle as the reigning monarch of American letters until his suicide—Paul Hendrickson traces the writer’s exultations and despair around the one constant in his life during this time: his beloved boat, Pilar.
We follow him from Key West to Paris, to New York, Africa, Cuba, and finally Idaho, as he wrestles with his best angels and worst demons. Whenever he could, he returned to his beloved fishing cruiser, to exult in the sea, to fight the biggest fish he could find, to drink, to entertain celebrities and friends and seduce women, to be with his children. But as he began to succumb…[more]
More than the two presidents he served or the 58,000 soldiers who died for his policies, Robert McNamara was the official face of Vietnam, the technocrat with steel-rimmed glasses and an ironclad faith in numbers who kept insisting that the war was winnable long after he had ceased to believe it was. This brilliantly insightful, morally devastating book tells us why he believed, how he lost faith, and what his deceptions cost five of the war’s witnesses and McNamara himself.
In The Living and the Dead, Paul Hendrickson juxtaposes McNamara’s story with those of a wounded Marine, an Army nurse, a Vietnamese refugee, a Quaker who burned himself to death to protest the war, and an enraged artist who tried to kill the man he saw as the war’s architect. The result is a book whose exhaustive research and imaginative power turn history into an act of reckoning, damning and profoundly sympathetic, impossible to put down and impossible to forget.