Information about the author. See also www.stephenking.com
Lisey Debusher Landon lost her husband Scott two years ago, after a twenty five year marriage of the most profound and sometimes frightening intimacy. Lisey knew there was a place Scott went—a place that both terrified and healed him, could eat him alive or give him the ideas he needed in order to live. Now it’s Lisey’s turn to face Scott’s demons, Lisey’s turn to go to Boo’ya Moon. What begins as a widow’s effort to sort through the papers of her celebrated husband becomes a nearly fatal journey into the darkness he inhabited.
Perhaps King’s most personal and powerful novel ever, Lisey’s Story is about the wellspings of creativity, the temptations of madness, and the secret language of love.
On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? Stephen King’s heart-stoppingly dramatic new novel is about a man who travels back in time to prevent the JFK assassination—a thousand page tour de force.
Following his massively successful novel Under the Dome, King sweeps readers back in time to another moment—a real life moment—when everything went wrong: the JFK assassination. And he introduces readers to a character who has the power to change the course of history.
Jake Epping is a thirty-five-year-old high school English teacher in Lisbon Falls, Maine, who makes extra money teaching adults in the GED program. He receives an essay from one of the students—a gruesome, harrowing first person story about the night…[more]
“If you don’t have the time to read, you don’t have the time or the tools to write.”
In 1999, Stephen King began to write about his craft—and his life. By midyear, a widely reported accident jeopardized the survival of both. And in his months of recovery, the link between writing and living became more crucial than ever.
Rarely has a book on writing been so clear, so useful, and so revealing. On Writing begins with a mesmerizing account of King’s childhood and his uncannily early focus on writing to tell a story. A series of vivid memories from adolescence, college, and the struggling years that led up to his first novel, Carrie, will afford readers a fresh and often very funny perspective on the formation of a writer. King next turns to the basic tools of his trade—how to sharpen and multiply them through use, and how the writer must always have them close at hand. He takes the reader through crucial aspects of the writer’s art…[more]
A writer is held hostage by his number-one fan in the novel that “demand[s] that we take King seriously as a writer with a deeply felt understanding of human psychology” (Publishers Weekly). His deeply felt understanding of what terrifies us doesn’t hurt either.
Roland Deschain and his ka-tet are bearing southeast through the forests of Mid-World, the almost timeless landscape that seems to stretch from the wreckage of civility that defined Roland’s youth to the crimson chaos that seems the future’s only promise. Readers of Stephen King’s epic series know Roland well, or as well as this enigmatic hero can be known. They also know the companions who have been drawn to his quest for the Dark Tower: Eddie Dean and his wife, Susannah; Jake Chambers, the boy who has come twice through the doorway of death into Roland’s world; and Oy, the Billy-Bumbler.
In this long-awaited fifth novel in the saga, their path takes them to the outskirts of Calla Bryn Sturgis, a tranquil valley community of farmers and ranchers on Mid-World’s borderlands. Beyond the town, the rocky ground rises toward the hulking darkness of Thunderclap, the source of a terrible affliction that is slowly stealing the community’s soul. One of the town’s…[more]
The first collection of stories Stephen King has published since Nightmares & Dreamscapes nine years ago, Everything’s Eventual includes one O. Henry Prize winner, two other award winners, four stories published by The New Yorker, and “Riding the Bullet,” King’s original e-book, which attracted over half a million online readers and became the most famous short story of the decade.
Notable stories include “Lunch at the Gotham Café, 1408”, and “That Feeling, You Can Only Say What It Is In French”.
Whether writing about encounters with the dead, the near dead, or about the mundane dreads of life, from quitting smoking to yard sales, Stephen King is at the top of his form in the fourteen dark tales assembled in Everything’s Eventual. Intense, eerie, and instantly com-pelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.
The state police of Troop D in rural Pennsylvania have kept a secret in Shed B out back of the barracks ever since 1979, when Troopers Ennis Rafferty and Curtis Wilcox answered a call from a gas station just down the road and came back with an abandoned Buick Roadmaster. Curt Wilcox knew old cars, and he knew immediately that this one was…wrong, just wrong. A few hours later, when Rafferty vanished, Wilcox and his fellow troopers knew the car was worse than dangerous—and that it would be better if John Q. Public never found out about it.
Curt’s avid curiosity taking the lead, they investigated as best they could, as much as they dared. Over the years the troop absorbed the mystery as part of the background to their work, the Buick 8 sitting out there like a still life painting that breathes—inhaling a little bit of this world, exhaling a little bit of whatever world it came from. …[more]
Twenty years ago, a boy named Jack Sawyer travelled to a parallel universe called The Territories to save his mother and her Territories “twinner” from a premature and agonizing death that would have brought cataclysm to the other world. Now Jack is a retired Los Angeles homicide detective living in the nearly nonexistent hamlet of Tamarack, WI. He has no recollection of his adventures in the Territories and was compelled to leave the police force when an odd, happenstance event threatened to awaken those memories.
When a series of gruesome murders occur in western Wisconsin that are reminiscent of those committed several decades earlier by a real-life madman named Albert Fish, the killer is dubbed “The Fisherman” and Jack’s buddy, the local chief of police, begs Jack to help his inexperienced force find him. But is this merely the work of a disturbed individual, or has a mysterious…[more]
I believe there is another man inside every man, a stranger…writes Wilfred Leland James in the early pages of the riveting confession that makes up “1922,” the first in this pitch-black quartet of mesmerizing tales from Stephen King. For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness.
In “Big Driver,” a cozy-mystery writer named Tess encounters the stranger along a back road in Massachusetts when she takes a shortcut home after a book-club engagement. Violated and left for dead, Tess plots a revenge that will bring her face-to-face with another stranger: the one inside herself.
“Fair Extension,” the shortest of these tales, is perhaps the nastiest and certainly the funniest. Making a deal with…[more]
No more than a dark pencil line on a blank page. A horizon line, maybe. But also a slot for blackness to pour through…
A terrible construction site accident takes Edgar Freemantle’s right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn’t survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a “geographic cure,” a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else.
“Edgar, does anything make you happy?” …[more]
Stephen King—who has written more than fifty books, dozens of number one New York Times bestsellers, and many unforgettable movies—delivers an astonishing collection of short stories, his first since Everything’s Eventual six years ago. As guest editor of the bestselling Best American Short Stories 2007, King spent over a year reading hundreds of stories. His renewed passion for the form is evident on every page of Just After Sunset. The stories in this collection have appeared in The New Yorker, Playboy, McSweeney’s, The Paris Review, Esquire, and other publications.
Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens…[more]
Stephen King’s most gripping and unforgettable novel, Bag of Bones, is a story of grief and a lost love’s enduring bonds, of a new love haunted by the secrets of the past, of an innocent child caught in a terrible crossfire.
Set in the Maine territory King has made mythic, Bag of Bones recounts the plight of forty-year-old bestselling novelist Mike Noonan, who is unable to stop grieving even four years after the sudden death of his wife, Jo, and who can no longer bear to face the blank screen of his word processor.
Now his nights are plagued by vivid nightmares of the house by the lake. Despite these dreams, or perhaps because of them, Mike finally returns to Sara Laughs, the Noonans’ isolated summer home.
He finds his beloved Yankee town familiar on its surface, but much changed underneath—held in the grip of a powerful…[more]
Set in the 1930s at the Cold Mountain Penitentiary’s death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.
Edgecomb has sent seventy-eight inmates to their date with “old sparky,” but he’s never encountered one like Coffey—a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey’s gift, a truth that challenges his most cherished beliefs—and ours.
What happends to the wide-eyed observer when the window between reality and unreality breaks, and the glass begins to fly? Here are four answers from the ultimate expert, Stephen King. Includes “The Langoliers, “ “Secret Window, Secret Garden, “ “The Library Policeman, “ and “The Sun Dog.”
All good things must come to an end, Constant Reader, and not even Stephen King can make a story that goes on forever. The tale of Roland Deschain’s relentless quest for the Dark Tower has, the author fears, sorely tried the patience of those who have followed it from its earliest chapters. But attend to it a while longer, if it pleases you, for this volume is the last, and often the last things are best.
Roland’s ka-tet remains intact, though scattered over wheres and whens. Susannah-Mia has been carried from the Dixie Pig (in the summer of 1999) to a birthing room—really a chamber of horrors—in Thunderclap’s Fedic; Jake and Father Callahan, with Oy between them, have entered the restaurant on Lex and Sixty-first with weapons drawn, little knowing how numerous and noxious are their foes. Roland and Eddie are with John Cullum in Maine, in 1977, looking for the site on Turtleback Lane where “walk-ins”…[more]
Hearts in Atlantis, King’s newest fiction, is composed of five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.
In Part One, “Low Men in Yellow Coats,” eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror.
In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest…and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast.
In “Blind Willie” and “Why We’re in Vietnam,” two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow—and as haunted—as their own lives. …[more]
Eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror.
Ralph Roberts has a problem: he isn’t sleeping so well these days. In fact, he’s hardly sleeping at all. Each morning, the news conveyed by the bedside clock is a little worse: 3:15…3:02…2:45…2:15. The books call it “premature waking”; Ralph, who is still learning to be a widower, calls it a season in hell. He’s begun to notice a strangeness in his familiar surroundings, to experience visual phenomena that he can’t quite believe are hallucinations. Soon, Ralph thinks, he won’t be sleeping at all, and what then?
A problem, yes—though perhaps not so uncommon, you might say. But Ralph has lived his entire life in Derry, Maine, and Derry isn’t like other places, as millions of Stephen King readers will gladly testify. They remember It, also set in Derry, and know there’s a mean streak running through this small New England city; underneath its ordinary surface awesome and terrifying forces are at work. The dying, natural and otherwise, has been going on in Derry for a long, long time. Now Ralph is part of it. So are his friends. And so are the strangers they encounter.
A new store has opened in the town of Castle Rock, Maine. It has whatever your heart desires…if you’re willing to pay the price. In this chilling novel by one of the most potent imaginations of our time, evil is on a shopping spree and out to scare you witless.
Roland Deschain and his followers discover the Path of the Beam, which will henceforth guide their journey toward the Dark Tower. Another gunslinger must be drawn from New York into Mid-World, but it is someone who has been there before, a boy who has died not once but twice and yet still lives. The ka-tet, four who are bound together by fate, must travel far in this novel, surviving not only the poisonous waste lands and the war-torn city of Lud that lies beyond, but also the rage of the train that provides them passage.
They were just kids when they stumbled upon the hidden horror of their hometown. Now, as adults, none of them can withstand the force that has drawn them all back to Derry, Maine, to face the nightmare without end, and the evil without a name.
On a brisk autumn day, a thirteen-year-old boy stands on the shores of the gray Atlantic, near a silent amusement park and a fading ocean resort called the Alhambra. The past has driven Jack Sawyer here: his father is gone, his mother is dying, and the world no longer makes sense. But for Jack everything is about to change. For he has been chosen to make a journey back across America—and into another realm.
One of the most influential and heralded works of fantasy ever written, The Talisman is an extraordinary novel of loyalty, awakening, terror, and mystery. Jack Sawyer, on a desperate quest to save his mother’s life, must search for a prize across an epic landscape of innocents and monsters, of incredible dangers and even more incredible truths. The prize is essential, but the journey means even more. Let the quest begin….
“Sometimes dead is better….”
When the Creeds move into a beautiful old house in rural Maine, it all seems too good to be true: physician father, beautiful wife, charming little daughter, adorable infant son—and now an idyllic home. As a family, they’ve got it all…right down to the friendly cat.
But the nearby woods hide a blood-chilling truth—more terrifying than death itself…and hideously more powerful.
It’s a hot, lazy day, perfect for a cookout, until you see those strange dark clouds. Suddenly a violent storm sweeps across the lake and ends as abruptly and unexpectedly as it had begun. Then comes the mist…creeping slowly, inexorably into town, where it settles and waits, trapping you in the supermarket with dozens of others, cut off from your families and the world. The mist is alive, seething with unearthly sounds and movements. What unleashed this terror? Was it the Arrowhead Project—the top secret government operation that everyone has noticed but no one quite understands? And what happens when the provisions have run out and you’re forced to make your escape, edging blindly through the dim light?
This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death.
And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides—or are chosen. A world in which good rides on the frail shoulders of the 108-year-old Mother Abigail—and the worst nightmares of evil are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg, the dark man.
’Salem’s Lot is a small New England town with white clapboard houses, tree-lined streets, and solid church steeples. That summer in ’Salem’s Lot was a summer of homecoming and return; spring burned out and the land lying dry, crackling underfoot.
Late that summer, Ben Mears returned to ’Salem’s Lot hoping to cast out his own devils and found instead a new, unspeakable horror. A stranger had also come to the Lot, a stranger with a secret as old as evil, a secret that would wreak irreparable harm on those he touched and in turn on those they loved. All would be changed forever: Susan, whose love for Ben could not protect her; Father Callahan, the bad priest who put his eroded faith to one last test; and Mark, a young boy who sees his fantasy world become reality and ironically proves the best equipped to handle the relentless nightmare of ’Salem’s Lot.
This is a rare novel, almost hypnotic in its unyielding suspense, which builds to a climax of classic terror. You will not forget the town of ’Salem’s Lot nor any of the people who used to live there.
Made into the acclaimed film Stand By Me, The Body is a mesmerizing tale of four young boys and their quest to find a dead body, never realizing how much death will affect their lives and their friendship.
In 1985, 39-year-old Stephen King announced in public that his pseudonymous alter ego, Richard Bachman, was dead. (Never mind that he revived him years later to write The Regulators.) At the beginning of The Dark Half (1989), 39-year-old writer Thad Beaumont announces in public that his own pseudonym, George Stark, is dead.
Now, King didn’t want to jettison the Bachman novel, titled Machine Dreams, that was he working on. So he incorporated it in The Dark Half as the crime oeuvre of George Stark, whose recurring hero/alter ego is…
Beginning with a short story appearing in The Magazine of Fantasy and Science Fiction in 1978, the publication of Stephen King’s epic work of fantasy-what he considers to be a single long novel and his magnum opus-has spanned a quarter of a century.
Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, The Dark Tower series is King’s most visionary feat of storytelling, a magical mix of science fiction, fantasy, and horror that may well be his crowning achievement.
A collection of four novellas by the bestselling master, three of which became the basis for the hit films Stand by Me, The Shawshank Redemption, and Apt Pupil. So varied in tone that “you have to compare King to Twain, Poe-with a generous dash of Philip Roth and Will Rogers thrown in.” —Los Angeles Times
More of a mystery than a horror novel, Dolores Claiborne contains only the briefest glances at the supernatural. The novel presents Stephen King as a writer experimenting with style and narrative, time and perspective. Fans looking for a skin-crawling, page-turning fright or an undead bloodbath will be disappointed, but a patient reader willing to savor King’s leisurely study of character and island life will find many rewards. And all of this is not to say that the book is without suspense.
The story unfolds in one continuous chapter, told in the…
Roland of Gilead has mysteriously stepped through a doorway in time that takes him to 1980s America, where he joins forces with the defiant Eddie Dean and courageous Odetta Holmes. A savage struggle has begun in which underworld evil and otherworldly enemies conspire to bring an end to Roland’s desperate search for the Dark Tower.
Eerie, dreamlike, set in a world that is weirdly related to our own, The Gunslinger introduces Roland Deschain of Gilead, of In-World that was, as he pursues his enigmatic antagonist to the mountains that separate the desert from the Western Sea. Roland is a solitary figure, perhaps accursed, who with a strange singlemindedness traverses an exhausted, almost timeless landscape. The people he encounters are left behind, or worse—left dead. At a way station, however, he meets Jake, a boy from a particular time (1977) and a particular place (New York City), and soon the two are joined—khef, ka, and ka-tet. The mountains lie before them. So does the man in black and, somewhere far beyond…the Dark Tower.
To give birth to her “chap,” demon-mother Mia has usurped the body of Susannah Dean and used the power of Black Thirteen to transport to New York City in the summer of 1999. The city is strange to Susannah…and terrifying to the “daughter of none” who shares her body and mind.
Saving the Tower depends not only on rescuing Susannah but also on securing the vacant lot Calvin Tower owns before he loses it to the Sombra Corporation. Enlisting the aid of Manni senders, the remaining ka-tet climbs to the Doorway Cave…and discovers that magic has its own mind. It falls to the boy, the billy bumbler, and the fallen priest to find Susannah-Mia, who in a struggle to cope—with each other and with an alien environment—”go todash” to Castle Discordia on the border of End-World. In that forsaken place, Mia reveals her origins, her purpose, and her fierce desire to mother whatever creature the two of them have…[more]
Wizard and Glass picks up where the last book left off, with our hero, Roland, and his unlikely band of followers escaping from one world and slipping into the next. And it is there that Roland tells them a story, one that details his discovery of something even more elusive than the Dark Tower: love. But his romance with the beautiful and quixotic Susan Delgado also has its dangers, as her world is tom apart by war. Here is Roland’s journey to his own past, to a time when valuable lessons awaited him, lessons of loyalty and betrayal, love and loss.