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On a freezing day in December 1963, thirteen-year-old Alison Carter vanishes from her village. Nothing will ever be the same again for the inhabitants of the isolated hamlet in the English countryside. A young George Bennett, a newly-promoted inspector, he is determined to solve this case—even if it just to bring home a daughter’s dead body to her mother.
As days progress, the likelihood that Alison has been murdered increases when a gruesome discovery is made in a cave. But with no corpse, the barest of clues, and an investigation that turns up more questions than answers, Bennett finds himself up against a stone wall…until he learns the shocking truth—a truth that will have far-reaching consequences.
Decades later, Bennett finally tells his story to journalist Catherine Heathcote. But just when the book is posed for publication, he pulls the plug on it without explanation. He has new information that he will not divulge. Refusing to let the past remain a mystery, Catherine sets out to uncover what really happened to Alison Carter. But the secret is one she might wish she’d left buried on that cold, dark day thirty-five years ago.
He is psychologist and criminal profiler Dr. Tony Hill’s worst nightmarea killer driven by the most perverted hungers and unmoved by youth and innocence, a killer with a long shopping list of victims who leaves no trail. The murder-mutilation of teenager Jennifer Maidment is horrific enough on its own, but Hill quickly realizes that it’s just the beginning of a chilling campaign targeting an apparently unconnected group of young peoplevictims that the monster has been grooming through a social networking site.
It is a case that is reawakening ghosts of Tony Hill’s past. And the longer it takes to uncover a motive and a maniac, the more innocent youth will die.
Four in the morning, mid-December, and snow blankets St. Andrews School. Student Alex Gilbery and his three best friends are staggering home from a party when they stumble upon the body of a young woman. Rosie Duff has been raped, stabbed and left for dead in the ancient Pictish cemetery. The only suspects are the four young students stained with her blood.
Twenty-five years later, police mount a cold case review. Among the unsolved murders they’re examining is that of Rosie Duff. But someone else has his own idea of justice. One of the original quartet dies in a suspicious house fire and soon after, a second is killed. Alex fears the worst. Someone is taking revenge for Rosie Duff. And it might just save his life if he can uncover who really killed Rosie all those years ago.
This was the summer he discovered what he wanted—at a gruesome museum of criminology far off the beaten track of more timid tourists. Visions of torture inspired his fantasies like a muse. It would prove so terribly fulfilling.
The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. Even for a seasoned professional, the series of mutilation sex murders is unlike anything he’s encountered before. But profiling the psychopath is not beyond him. Hill’s own past has made him the perfect man to comprehend the killer’s motives. It’s also made him the perfect victim.
A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage—or the power—to stop it…
Past and present intertwine in this rare stand-alone novel of taut psychological drama—a brilliant exploration of loyalty and greed from the bestselling mistress of suspense.
Fife, Scotland, 1985. Heiress Catriona Maclennan Grant and her baby son are kidnapped. The ransom payoff goes horribly wrong and Grant is killed. Her son disappears without a trace—until 2008, when a tourist in Tuscany stumbles upon dramatic new evidence that reopens the investigation.
Fife, 1984. At the height of the politically charged national miners’ strike, Mick Prentice abandons his family to join the strikebreakers down south. Labelled a blackleg scab, he’s as good as dead as far as his friends and relatives care. Twenty-three years later, a young woman walks into a police station to report Mick Prentice missing. Detective Karen Pirie, head of the…[more]
Dr. Tony Hill and Detective Chief Inspector Carol Jordan return in the award-winning series that is the basis for the hit show on BBC America.
In a small grim room, the body of a woman is discovered, panic and pain etched in her face. The scene matches in every detail a series of murders two years ago-murders that ended when irrefutable forensic evidence secured the conviction of a deeply disturbed young man named Derek Tyler.
But there’s no way Tyler could have killed the latest victim. He’s been locked up in a mental institution since his trial, barely speaking a word. So is there a copycat?
All his years of experience tell top criminal psychologist Dr. Tony Hill that there isn’t-but that would make the murders…[more]
A killer is on the loose, blurring the line between fact and fiction. His prey—the writers of crime novels who have turned psychological profilers into the heroes of the nineties. But this killer is like no other. His bloodlust shatters all the conventional wisdom surrounding the motives and mechanics of how serial killers operate. And for one woman, the desperate hunt to uncover his identity becomes a matter of life and death.
Professor Fiona Cameron is an academic psychologist who uses computer technology to help police forces track serial offenders. She used to help the Met, but vowed never to work for them again when they went against her advice and subsequently botched an investigation. Still smarting from the experience, she’s working a case in Toledo when her lover, thriller writer Kit Martin, tells her a fellow crime novelist has been murdered. It’s not her case, but Fiona can’t help taking an interest. When the…[more]
But down these mean streets must go a man who is not himself mean, who is neither tarnished or afraid..” When Raymond Chandler wrote these words in his classic The Simple Art of Murder, he drew a blueprint for the male private eyes who descend from Philip Marlowe to populate the world of crime fiction.
But what if the private eye is a woman? And what if she is not a character in a novel but a real, working investigator testing not only the meanness but the absurdity of life on seamy streets? Who will tell her story?
Enter Manchester’s Val McDermid, herself a skilled writer of the P.I. novel but for years a professional journalist. In an effort to plumb the real world of working women - and throw new light on her own craft - she has interviewed women private eyes from both sides of the Atlantic and assembled their stories with an eye for the absurd and a keen grasp of the gritty nuts and…[more]