Yuyi Morales was born in Xalapa, Mexico and is the award winning illustrator of many children's books. See also yuyimorales.com
In this original trickster tale, Senor Calavera arrives unexpectedly at Grandma Beetle's door. He requests that she leave with him right away. "Just a minute," Grandma Beetle tells him. She still has one house to sweep, two pots of tea to boil, three pounds of corn to make into tortillas - and that's just the start!
Using both Spanish and English words to tally the party preparations, Grandma Beetle cleverly delays her trip and spends her birthday with a table full of grandchildren and her surprise guest. This spirited tribute to the rich traditions of Mexican culture is the perfect introduction to counting in both English and Spanish. The vivacious illustrations and universal depiction of a family celebration are sure to be adored by young readers everywhere.
Yuyi Morales takes us on a new journey with Señor Calvera, the skeleton from Day of the Dead celebrations. Señor Calvera is worried. He can’t figure out what to give Grandma Beetle for her birthday. Misunderstanding the advice of Zelmiro the Ghost, Señor Calvera decides not to get her one gift, but instead one gift for every letter of the alphabet, just in case.
Una Acordéon: An accordion for her to dance to. Bigotes: A mustache because she has none. Cosquillas: Tickles to make her laugh… only to find out at the end of the alphabet that the best gift of all is seeing her friends. Morales’s art glows in this heart-warming original tale with folklore themes, a companion book to her Pura Belpré-winning Just A Minute.
Follow los monstruos and los esqueletos to the Halloween party
Under October’s luna, full and bright, the monsters are throwing a ball in the Haunted Hall. Las brujas come on their broomsticks. Los muertos rise from their coffins to join in the fun. Los esqueletos rattle their bones as they dance through the door. And the scariest creatures of all aren’t even there yet!
This lively bilingual Halloween poem introduces young readers to a spooky array of Spanish words that will open their ojos to the chilling delights of the season.
As the long day comes to an end, Mother Sky fills a tub with falling stars and calls, “Bath time for Little Night!”
Little Night answers from afar, “Can’t come. I am hiding and you have to find me, Mama. Find me now!”
Where could Little Night be? Down a rabbit hole? In a blueberry field? Among the stripes of bees? Exquisitely painted and as gentle as Little Night’s dress crocheted from clouds, this is a story to treasure.
Georgia O’Keeffe was famous for painting exactly what she wanted, whether flowers or skulls. Who would ever dare to tell her what to paint? The Hawaiian Pineapple Company tried. Luckily for them, Georgia fell in love with Hawaii. There she painted the beloved green islands, vibrant flowers, feathered fishhooks, and the blue, blue sea. But did she paint what the pineapple company wanted most of all? Amy Novesky’s lyrical telling of this little-known story and Yuyi Morales’s gorgeous paintings perfectly capture Georgia’s strong artistic spirit. The book includes an author’s note, illustrator’s note, bibliography, map of the islands, and endpapers that identify Georgia’s favorite Hawaiian flowers.
Abuelita’s hair is the color of salt. Her face is as crinkled as a dried chile. She booms out words as wild as blossoms blooming. She stuffs her carcacha—her jalopy—with all the things she needs: a plumed snake, a castle, a skeleton, and more. Her grandson knows he has the most amazing grandmother ever—with a very important job. What does Abuelita do? With her booming voice and wonderful props, Abuelita is a storyteller. Next to being a grandmother, that may be the most important job of all. Sprinkled with Spanish and infused with love, My Abuelita is a glorious celebration of family, imagination, and the power of story.
Cesar Chavez is known as one of America's greatest civil rights leaders. When he led a 340-mile peaceful protest march through California, he ignited a cause and improved the lives of thousands of migrant farmworkers. But Cesar wasn't always a leader. As a boy, he was shy and teased at school. His family slaved in the fields for barely enough money to survive.
Cesar knew things had to change, and he thought that - maybe - he could help change them. So he took charge. He spoke up. And an entire country listened.