In Merridale, semi-transparent blue apparitions have appeared. These aren’t ghosts, exactly. They are visions of the dead in their final moments—the last seconds of their lives portrayed for all to see. They don’t move, and they don’t speak.
Ash Wednesday is a thoughtful horror story about what happens to people when they are forced to gaze into the face of death and, specifically, the face of their own personal dead: their friends and family, those they believed to be dead and gone. Murders are revealed, rapes and other crimes. People despair, and try to create new lives out of the wreckage. Two of these are Bradley Meyers, a vet already driven half-crazy by his experiences in Vietnam, confronted by the sight of his dead son, and now barely capable of containing his rage, and Jim Callender, whose son has died in the same accident, for which he is partly responsible. As Callender sinks into guilt, Meyers moves toward murder.