In 1930’s New York, Billy Bathgate, a fifteen-year-old high-school dropout, has captured the attention of infamous gangster Dutch Schultz, who lures the boy into his world of racketeering. The product of an East Bronx upbringing by his half-crazy Irish Catholic mother, after his Jewish father left them long ago, Billy is captivated by the world of money, sex, and high society the charismatic Schultz has to offer. But it is also a world of extortion, brutality, and murder, where Billy finds himself involved in a dangerous affair with Schultz’s girlfriend. Relive this story through the title character’s driving narrative, a child’s thoughts and feelings filtered through the sensibilities of an adult, and the result is E.L. Doctorow’s most convincing and appealing portrayal of a young boy’s life. Converging mythology and history, one of America’s most admired authors has captured the romance of gangsters and criminal enterprise that continues to fascinate the American psyche today.
In the Bronx of the 1930s, 15-year-old Billy Bathgate hooks up with a legendary mobster, Dutch Schultz. Schultz becomes an unlikely surrogate parent to the boy, introducing him to the ways of the world and training Billy to follow in his footsteps. After Billy falls for Schulz’s latest girlfriend, he begins to question the actions of the mob he was so eager to join. As he seeks to protect the young woman, he gains strength in following his own heart and makes a courageous passage from boyhood to adulthood. E.L Doctorow won the 1990 PEN/Faulkner Award for this novel.
The oily allure of underground power is compelling. During the heyday of New York’s mob scene, it was more than a mysterious, dynamic draw, it was a ticket out of poverty and stepping stone to notoriety. Based on the novel by E.L. Doctorow, Billy Bathgate is the story of a street-smart boy (Loren Dean) who, after a chance encounter with racketeering kingpin Dutch Schultz (Dustin Hoffman), sets out to apprentice himself to the Mafia and ride the roller-coaster life of a gangster.
Central to the story development is the idea of fate and circumstance.…