|Author:||Walter Dean Myers|
Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.
Guilty or innocent, Steve becomes a pawn in the hands of “the system,” cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.
As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers’s writing at its best.
Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I’ll call it what the lady who is the prosecutor called me. MONSTER.
FADE IN: INTERIOR COURT. A guard sits at a desk behind Steve. Kathy O’Brien, Steve’s lawyer, is all business as she talks to Steve.
Let me make sure you understand what’s going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you’re in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .
You think we’re going to win ?
It probably depends on what you mean by “win.”
“Monster” is what the prosecutor called 16-year-old Steve Harmon for his supposed role in the fatal shooting of a convenience-store owner. But was Steve really the lookout who gave the “all clear” to the murderer, or was he just in the wrong place at the wrong time? In this innovative novel by Walter Dean Myers, the reader becomes both juror and witness during the trial of Steve’s life. To calm his nerves as he sits in the courtroom, aspiring filmmaker Steve chronicles the proceedings in movie script format. Interspersed throughout his screenplay are journal writings that provide insight into Steve’s life before the murder and his feelings about being held in prison during the trial. “They take away your shoelaces and your belt so you can’t kill yourself no matter how bad it is. I guess making you live is part of the punishment.”
Myers, known for the inner-city classic Motown and Didi (first published in 1984), proves with Monster that he has kept up with both the struggles and the lingo of today’s teens. Steve is an adolescent caught up in the violent circumstances of an adult world—a situation most teens can relate to on some level. Readers will no doubt be attracted to the novel’s handwriting-style typeface, emphasis on dialogue, and fast-paced courtroom action. By weaving together Steve’s journal entries and his script, Myers has given the first-person voice a new twist and added yet another worthy volume to his already admirable body of work. (Ages 12 and older) —Jennifer Hubert