Snow Falling on Cedars: A Novel
On San Piedro, an island of rugged, spectacular beauty in Puget Sound, a Japanese-American fisherman stands trial for murder. Set in 1954 in the shadow of World War II, Snow Falling on Cedars is a beautifully crafted courtroom drama, love story, and war novel, illuminating the psychology of a community, the ambiguities of justice, the racism that persists even between neighbors, and the necessity of individual moral action despite the indifference of nature and circumstance.
This is the kind of book where you can smell and hear and see the fictional world the writer has created, so palpably does the atmosphere come through. Set on an island in the straits north of Puget Sound, in Washington, where everyone is either a fisherman or a berry farmer, the story is nominally about a murder trial. But since it’s set in the 1950s, lingering memories of World War II, internment camps and racism helps fuel suspicion of a Japanese-American fisherman, a lifelong resident of the islands. It’s a great story, but the primary pleasure of the book is Guterson’s renderings of the people and the place.
Thanks to the success of pioneering musician-scorers like Hans Zimmer, the symbiosis of traditional orchestral tones with synthesized electronic elements has become one of film-scoring's most popular working methods. The underlying reasons, however, haven't been always been particularly altruistic; a music software program doesn't have to work for scale. Composer James Newton Howard's score for director Scott Hick's telling of novelist David Guterson's interracial soap opera cum murder mystery is one of the best of the new genre, a seamless sonic wedding of the…
Australian director Scott Hicks’s follow-up to his widely beloved Shine comes as a small shock. Based on David Guterson’s bestselling novel, Snow Falling on Cedars is far removed from the character-driven, pure storytelling of Shine and a comparative plunge into moody atmospherics. Action insinuates itself through the director’s determined eye for watercolor composition and free-floating perspective, like random shoots of new growth in an overwhelming rain forest. It’s impossible to be complacent as a viewer because Hicks’s meditative style…