The Amulet of Samarkand
|Series:||Book 1 of the Bartimaeus Trilogy|
Nathaniel is a young magician with only one thing on his mind: revenge.
As an apprentice to the great magician Underwood, Nathaniel is gradually being schooled in the traditional art of magic. All is well until he has a life-changing encounter with Simon Lovelace, a rising, star magician. When Simon brutally humiliates Nathaniel in front of everyone he knows, Nathaniel decides to speed up his magical education, teaching himself spells way beyond his years. Eventually, he masters one of the most difficult spells of all: summoning the all-powerful djinni, Bartimeus.
But summoning Bartimeus and controlling him are two very different things—and Nathaniel may be in way over his head.
Nathaniel is a boy magician-in-training, sold to the government by his birth parents at the age of five and sent to live as an apprentice to a master. Powerful magicians rule Britain, and its empire, and Nathaniel is told his is the “ultimate sacrifice” for a “noble destiny.” If leaving his parents and erasing his past life isn’t tough enough, Nathaniel’s master, Arthur Underwood, is a cold, condescending, and cruel middle-ranking magician in the Ministry of Internal Affairs. The boy’s only saving grace is the master’s wife, Martha Underwood, who shows him genuine affection that he rewards with fierce devotion. Nathaniel gets along tolerably well over the years in the Underwood household until the summer before his eleventh birthday. Everything changes when he is publicly humiliated by the ruthless magician Simon Lovelace and betrayed by his cowardly master who does not defend him.
Nathaniel vows revenge. In a Faustian fever, he devours magical texts and hones his magic skills, all the while trying to appear subservient to his master. When he musters the strength to summon the 5,000-year-old djinni Bartimaeus to avenge Lovelace by stealing the powerful Amulet of Samarkand, the boy magician plunges into a situation more dangerous and deadly than anything he could ever imagine. In British author Jonathan Stroud’s excellent novel, the first of The Bartimaeus Trilogy, the story switches back and forth from Bartimaeus’s first-person point of view to third-person narrative about Nathaniel. Here’s the best part: Bartimaeus is absolutely hilarious, with a wit that snaps, crackles, and pops. His dryly sarcastic, irreverent asides spill out into copious footnotes that no one in his or her right mind would skip over. A sophisticated, suspenseful, brilliantly crafted, dead-funny book that will leave readers anxious for more. (Ages 11 to adult) —Karin Snelson
Author Jonathan Stroud delivers such a potent and unforgettable mix of magic, history and intrigue with The Amulet of Samarkand, the first part of his compelling Bartimaeus Trilogy, that it is difficult not to want to read the next novel immediately. Undoubtedly the shortest 480 pages you’ll ever read, The Amulet of Samarkand is a superb novel of revenge and adventure with the most original central character for years.
Bartimaeus is a wisecracking Djinni (pronounced “Jinnee” we’re reliably informed) unlike no other. Summoned from some otherworldly place to do the bidding of a pipsqueak trainee magician called Nathanial, he sets about his given task reluctantly but with aplomb. Nathanial is after revenge and that makes him dangerous. Previously humiliated by a powerful magician called Simon Lovelace in front of his impotent master, Nathanial has spent every waking hour for years cramming knowledge of the highest magic into his head so that he can exact his own special kind of vengeance.
Bartimaeus is charged to steal a precious and powerful object—the Amulet of Samarkand—from Lovelace’s residence, which the Djinni achieves but not without angering a few old mates on the same astral plane and having to spend the night annoyingly disguised as a bird. Bartimaeus, despite being bound to Nathaniel, discovers the boy’s real name—a tool he can use to his own advantage. But he is constantly outwitted. Then an overriding danger becomes apparent that threatens the whole fabric of society and they must work together to combat it.
Stroud’s fantasy world is familiar, yet fascinatingly different. It’s almost Victorian London, yet Magicians hold overall power and inhabit parliament. The writing is captivating, the story intelligent and mesmerising. It’s difficult to imagine a more scintillating collection of characters and situations. Unmissable. (Recommended for ages 10 and over.)—John McLay