The Lowland: A Novel
From the Pulitzer Prize-winning, best-selling author of The Namesake comes an extraordinary new novel, set in both India and America, that expands the scope and range of one of our most dazzling storytellers: a tale of two brothers bound by tragedy, a fiercely brilliant woman haunted by her past, a country torn by revolution, and a love that lasts long past death.
Born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up. But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan—charismatic and impulsive—finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother’s political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America.
But when Subhash learns what happened to his brother in the lowland outside their family’s home, he goes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind—including those seared in the heart of his brother’s wife.
Masterly suspenseful, sweeping, piercingly intimate, The Lowland is a work of great beauty and complex emotion; an engrossing family saga and a story steeped in history that spans generations and geographies with seamless authenticity. It is Jhumpa Lahiri at the height of her considerable powers.
An Amazon Best Book of the Month, September 2013: But for its lyrical, evocative scenes of life in the Calcutta neighborhood in which her heroes grow up, Jhumpa Lahiri’s The Lowland could be set anywhere, in almost any time. At the center of this heartbreaking story are two very different brothers. Udayan, the younger by 15 months, is passionate, idealistic and ripe for involvement in the political rebellion in 1960s India (not all that different from his American counterparts of the same era.) Subhash is the “good brother,” the parent-pleaser, who goes off to study and teach in America. But when Udayan, inevitably, ends up a victim of his self-made political violence, Subhash steps in and marries his dead brother’s pregnant wife. His is the proverbial good deed that will never go unpunished; Subhash soon becomes a victim of his own goodness. As always, Lahiri’s prose is lyrical and rich and her story is steeped in history, but in this book (more perhaps than The Namesake, her other novel) the issues raised are more universal and the plot more linear. Competitive siblings, parental love, commitment to belief and family, these are the topics one of our most brilliant writers addresses in what is at once her most accessible, and most profound, book yet. —Sara Nelson