Grindhouse: Death Proof and Planet Terror
|Director:||Quentin Tarantino, Robert Rodriguez|
|Distributor:||The Weinstein Company|
The gruesome twosome returns, but this time they are back-to-back together in one smash explosive show!
Quentin Tarantino’s Death Proof: A deranged stuntman stalks his victims from the safety of his killer car, but when he picks on the wrong group of badass babes, all bets are off in an adrenaline-pumping, high speed, white-knuckle automotive duel of epic proportions, where anything can happen.
Robert Rodriguez’s Planet Terror: A fun zombie film that busts at the seams with gross special effects, amazing action, and deliciously over-the-top moments, as gun-legged Cherry Darling and one man wrecking crew El Wray try to save the world from a horde of flesh-eating zombies.
Loud, fast, and proudly out of control, Grindhouse is a tribute to the low-budget exploitation movies that lurked at drive-ins and inner city theaters in the ‘60s and early ’70s. Writers/directors Quentin Tarantino (Kill Bill) and Robert Rodriguez (Sin City) cooked up this three-hour double feature as a way to pay homage to these films, and the end result manages to evoke the down-and-dirty vibe of the original films for an audience that may be too young to remember them. Tarantino’s Death Proof is the mellower of the two, relatively speaking; it’s wordier (as to be expected) and rife with pulp/comic book posturing and eminently quotable dialogue. It also features a terrific lead performance by Kurt Russell as a homicidal stunt man whose weapon of choice is a souped-up car. Tarantino’s affection for his own dialogue slows down the action at times, but he does provide showy roles for a host of likable actresses, including Rosario Dawson, Mary Elizabeth Winstead, Rose McGowan, Sydney Poitier, and newcomer Zoe Bell, who was Uma Thurman’s stunt double in Kill Bill. Detractors may decry the rampant violence and latch onto a sexist undertone in Tarantino’s feature, but for those viewers who grew up watching these types of films in either theaters or on VHS, such elements will be probably be more of a virtue than a detrimental factor. —Paul Gaita
Loud, fast, and proudly out of control, Grindhouse is a tribute to the low-budget exploitation movies that lurked at drive-ins and inner city theaters in the ‘60s and early ’70s. Writers/directors Quentin Tarantino (Kill Bill) and Robert Rodriguez (Sin City) cooked up this three-hour double feature as a way to pay homage to these films, and the end result manages to evoke the down-and-dirty vibe of the original films for an audience that may be too young to remember them. Rodriguez’s Planet Terror is a rollicking horror/sci-fi/action piece about a plague outbreak that turns citizens into cannibalistic murderers; it’s heavy on the gore and explosions but also features a terrific cast of A players (Freddy Rodriguez, Naveen Andrews, Marley Shelton) and B-movie vets (Michael Biehn, Jeff Fahey, Tom Savini) and the indelible image of Rose McGowan as a stripper whose torn-off leg is replaced by a high-powered machine gun.
If Tarantino’s feature was a nod to the moody, genre-jumping exploitation of the early ‘70s, Rodriguez’s contribution to the Grindhouse aesthetic pays tribute to the manic gorefests from Italy and the States in the early ’80s. And much like the film itself, the supplemental features on Terror‘s double-disc Extended and Unrated presentation have a loose, action-packed and familial vibe that gives fans full access to Rodriguez’s one-man-studio approach to moviemaking. The director is featured twice on audio tracks: first, on the feature commentary, which provides a fun tour through the picture’s production (as well as information on the upcoming Grindhouse DVD set, which will reunite the two pictures in their theatrical format), and later on the “10-Minute Film School,” a fascinating breakneck run through the numerous visual and CGI effects that produced the film’s most eye-popping effects, including McGowan’s leg/machine gun. Most of the extras echo Rodriguez’s informative and entertaining vibe—two featurettes cover the picture’s male and female cast (the former offers affectionate tributes to the exploitation vets in the company, including Biehn, Fahey, Michael Parks, and Savini), while “Casting Rebel” is an amusing discussion of how Rodriguez came to bring his own son into the movie, as well as his refusal to disclose the fate of Rebel’s character. “Sickos, Bullets, and Explosions” takes a look at Terror’s extensive special effects through interviews with stunt coordinator Jeff Dashnaw and members of the visual effects team, while “The Friend, The Doctor, and The Real Estate Agent” chats with three non-actors, all pals of Rodriguez, who wound up with small but significant roles in the picture. The Extended and Unrated aspect of the set is limited to a few extended scenes and extra splatter (sorry, the infamous “Missing Reel” is not recovered for this set), while Grindhouse fans bemoaning the absence of the film’s hilarious faux trailers will appreciate the inclusion of Rodriguez’s hilarious Machete spot, with Danny Trejo as a death-dealing, lady-loving tough guy gunning for double-crosser Fahey. The set also includes an “Audience Reaction” track: Essentially, it’s a whole track of whoops and hollers that allows the viewer to “experience” the film as if they were watching it in an actual grindhouse from back in the day. Its inclusion neither adds to or detracts from enjoying this DVD, but it’s wholly indicative of the level of fun Rodriguez had making the picture—and wants to share with his fans. —Paul Gaita
The lower-profile half of the Grindhouse double bill that flopped at the US box office in early 2007, Robert Rodriguez’s Planet Terror comes with lesser expectations. However, don’t let that fool you: this is a fun, pacey zombie film, that displays less self-indulgence than Tarantino’s Death Proof, and doesn’t skimp in the entertainment stakes either.
The plot is thin and quickly covered, but basically amounts to the release of a gas that creates lots of zombies. Stuck in the midst of the zombies is a small bunch of people who try and fight them off (among, er, other things). It doesn’t, fortunately, take long for Planet Terror to set all this up, and the stage is soon set for what we all paid our money for. Action. Violence. Characters of ill-repute. And, heck, a bit more action too.
Thus, Rodriguez delivers his tribute to the grindhouse movies he’s clearly inspired by, and Planet Terror proves to be a fine piece of work. With fast, exciting action sequences, leg-less Rose McGowan turning in sterling work in front of the camera, and stylish work behind it from Rodriguez, the film gels well.
Its director has perhaps bettered it himself with From Dusk Til Dawn, but that doesn’t mean that there’s not plenty to enjoy here. Taken either with its double-bill partner or as a standalone dish, Planet Terror is well worth your time.—Jon Foster