The Bank Job
|Distributor:||Lionsgate Home Entertainment|
What do two career criminals, a couple of urban gangsters, a brutal drug lord, a crooked FBI agent, Arab terrorists and a criminal snitch have in common? A lot more than you might think! On a blistering Southern California day, Kenny (Brad Jurjens) gets out of the joint and immediately partners up with his old pal (and accidental murderer) Brandon (Johann Urb) to plot one last bank heist. As Brandon is left wounded in the heist, they opt to steal a cherry red Mustang with a big surprise in the trunk. All they wanted was a fast getaway to Brazil, but with success yields a lot of headaches…and a lot of fun. Strap in and take a ride on the wild side with this colorful cast of characters, crazy car chases, police shoot-outs, international conspiracy—it’s all in a days work for these low-lifes. Perry Caravello also stars as Carmine the Drug Lord.
A cheerful, energetic, and completely entertaining movie, The Bank Job follows some small-time hoods who think they’ve lucked into a big-time opportunity when they learn a bank’s security system will be temporarily suspended—little suspecting that they’re being manipulated by government agents for their own ends. The result is that the movie doubles its pleasures: While the robbery itself has the usual suspense of a heist film, when the robbery is over the hoods find themselves being hunted by the police, the government, and brutal criminal kingpins who were storing dangerous information in a safety deposit box. The Bank Job won’t win any awards, but it’s enormously fun. Director Roger Donaldson (No Way Out, Species) propels the action along with vigor, editing zippily with perfect clarity among multiple storylines and various colorful characters. Jason Statham (Snatch, The Transporter), as the leader of the bank robbers, successfully steps away from his usual bone-crunching roles to a more human presence. The rest of the cast—including Saffron Burrows (Deep Blue Sea), Keeley Hawes (Tipping the Velvet), David Suchet (Poirot), and many faces familiar from British film and television—give their characters the right degree of personality and flavor without getting fussy or detracting from the headlong rush of the story. A little sex, a lot of action, a sly sense of humor, and a twisty plot; if more movies had these basic pleasures, the world would be a happier place.—Bret Fetzer