|Distributor:||Walt Disney Video|
From the Academy Award(R) winning creators of Finding Nemo (2003 Best Animated Feature Film) comes the action-packed animated adventure about the mundane and incredible lives of a house full of superheroes. Bob Parr and his wife Helen used to be among the world’s greatest crime fighters, saving lives and battling evil on a daily basis. Fifteen years later, they have been forced to adopt civilian identities and retreat to the suburbs where they live “normal” lives with their three kids, Violet, Dash, and Jack-Jack. Itching to get back into action, Bob gets his chance when a mysterious communication summons him to a remote island for a top secret assignment. He soon discovers that it will take a super family effort to rescue the world from total destruction. Exploding with fun and featuring an all-new animated short film, this spectacular 2-disc collector’s edition DVD is high-flying entertainment for everyone.
After creating the last great traditionally animated film of the 20th century, The Iron Giant, filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of “supers,” a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.
Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004’s best onscreen thrills. While it’s just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it’s Pixar’s first PG film). Bird takes several jabs, including some juicy commentary on domestic life (“It’s not graduation, he’s moving from the fourth to fifth grade!”).
The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits (“No capes!”), Edna Mode.
Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn’t include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that’s big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious “Jack-Jack Attack,” filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. “Boundin’,” which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).
Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter’s teddy-bear persona. As one animator states, “He’s like strong coffee; I happen to like strong coffee.” Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to “the Spaniards” if you’re dealing with animation physics, costume problems (there’s a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird’s commentary throws out too many names of the animators even after he warns himself not to do so, but it’s a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.
There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The “secret files” contain a “lost” animated short from the superheroes’ glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it’s another sharp comedy sketch. There are also NSA “files” on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. “Vowellet” is the only footage about the well-known cast (there aren’t even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR’s This American Life) talks about her first foray into movie voice-overs—daughter Violet—and the unlikelihood of her being a superhero. The feature is unlike anything we’ve seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? —Doug Thomas
Barnes and Noble
The Incredibles soars on DVD in a super two-disc set that does full justice to Pixar’s Academy Award-winning triumph. The production segments included on Disc 2 offer a fascinating glimpse into the creative process and, if nothing else, convey that Pixar must be an absolutely awesome place to work! Included among the deleted scenes—presented in animated-storyboard form—is the abandoned original beginning, in which the Parrs meet their neighbors, uncomfortably, before their superhero pasts are revealed to the audience. Exclusive to DVD are two fun new cartoons. The first is the computer-animated “Jack-Jack Attack,” which shows what prompted those frantic phone calls to Helen from the babysitter in The Incredibles. The second is a retro blast from the past, a “lost” cartoon done in the Sycro-Vox style of Clutch Cargo and starring Mr. Incredible, Frozone, and their hopping rabbit sidekick, Mr. Skipperdoo. The characters share their shocked reactions to seeing this 1950s relic for the first time in a hilarious (optional) commentary. Fans of Sarah Vowell’s contributions to the National Public Radio series This American Life will be delighted with her video essay, in which she talks about, among other things, her affinity for her outcast character, Violet Parr, and her love of Abraham Lincoln (children may find this incredi-boring). The movie itself, presented in either widescreen or reframed full-screen versions, continues Pixar’s own incredible streak, which rivals Walt Disney’s original run of animated masterpieces. Craig T. Nelson and Holly Hunter give voice and heart to Bob and Helen Parr, formerly Mr. Incredible and Elastigirl, who have been forced to hang up their capes in a world in which, Bob complains, “they keep creating new ways to celebrate mediocrity.” Not so, say director Brad Bird and his Pixar brethren. “This is going to be so awesome if we get it right,” an enthused Bird tells his staff in one of the “making of” segments. They did, and it is. Donald Liebenson
Pixar Studios continues its string of computer animation successes with this satirical tale of a family of superheroes (picture a flabby, suburbanized Fantastic Four) forced out of retirement by—what else?—an evil genius and his plot for world domination. Director Brad Bird, whose Iron Giant was one of the 90’s most sublime, if underappreciated animated triumphs, decided he wanted his Incredibles score to be a throwback to the spy-action genre of the mid-60’s. Enter Michael Giacchino, the young composer who’d previously conjured a marvelously eclectic…