A gorgeously written novel that marks the debut of an astonishing new voice in psychological suspense
As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children gripping a tree trunk in terror, wearing blood-filled sneakers, and unable to recall a single detail of the previous hours.
Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a twelve-year-old girl is found murdered in the same woods, he and Detective Cassie Maddoxhis partner and closest friendfind themselves investigating a case chillingly similar to the previous unsolved mystery. Now, with only snippets of long-buried memories to guide him, Ryan has the chance to uncover both the mystery of the case before him and that of his own shadowy past.
Richly atmospheric, stunning in its complexity, and utterly convincing and surprising to the end, In the Woods is sure to enthrall fans of Mystic River and The Lovely Bones.
What do Hercule Poirot and Charlotte Gray have in common? It may be the wonderful Maisie Dobbs. Lady Rowan Compton first met Maisie when, at thirteen, she went into service as a maid at her ladyship’s Belgravia mansion. A suffragette, Lady Rowan took the remarkably smart youngster under her wing and became her patron. She encouraged Maisie to study at Cambridge, and was aided in this by Maurice Blanche, a friend often retained as an investigator by the elite of Europe when discretion and results were required. It was he who first recognized Maisie’s intuitive gifts. The outbreak of war changed everything. Maisie left for France to train as a nurse, then served at the front, where she fell in love with a handsome young doctor. After the Armistice, in the spring of 1929, Maisie hangs out her shingle: M. Dobbs, Trade and Personal Investigations. Her very first case involves suspected infidelity but turns up something else, a tombstone with only a first name—Vincent. And then she finds another. The deceased…[more]
In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison.
It is the summer of 1950–and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.
For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. “I wish I could say I was afraid, but I wasn’t. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.”
Few first mysteries have been welcomed as enthusiastically as Open Season, or with better cause.
“When a high-powered bullet hits living flesh, it makes a distinctive -pow-WHOP-sound that is unmistakable even at tremendous distance.” And so it begins for Joe Pickett, a Wyoming game warden who, with the shot of a rifle, is thrust into a race to save not only an endangered species, but also the life and family he loves.
C. J. Box knows the wilderness and he knows how to create a wonderfully authentic, vividly alive sense of place. Most of all, he knows how to create a memorable new hero: a man who is full of failings, but strong and honorable. This is mystery writing at its best-and the beginning of a brilliant new career.
Liam Mulligan is as old school as a newspaper man gets. His beat is Providence, Rhode Island, and he knows every street and alley. He knows the priests and prostitutes, the cops and street thugs. He knows the mobsters and politicians—who are pretty much one and the same.
Someone is systematically burning down the neighborhood Mulligan grew up in, people he knows and loves are perishing in the flames, and the public is on the verge of panic. With the whole city of Providence on his back, Mulligan must weed through a wildly colorful array of characters to find the truth.
MGB officer Leo is a man who never questions the Party Line. He arrests whomever he is told to arrest. He dismisses the horrific death of a young boy because he is told to, because he believes the Party stance that there can be no murder in Communist Russia. Leo is the perfect soldier of the regime.
But suddenly his confidence that everything he does serves a great good is shaken. He is forced to watch a man he knows to be innocent be brutally tortured. And then he is told to arrest his own wife.
Leo understands how the State works: Trust and check, but check particularly on those we trust. He faces a stark choice: his wife or his life.
And still the killings of children continue…
It’s a cold, snowy December in the upstate New York town of Millers Kill, and newly ordained Clare Fergusson is on thin ice as the first female priest of its small Episcopal church. The ancient regime running the parish covertly demands that she prove herself as a leader. However, her blunt manner, honed by years as an army pilot, is meeting with a chilly reception from some members of her congregation and Chief of Police Russ Van Alystyne, in particular, doesn’t know what to make of her, or how to address “a lady priest” for that matter.The last thing she needs is trouble, but that is exactly what she finds. When a newborn baby is abandoned on the church stairs and a young mother is brutally murdered, Clare has to pick her way through the secrets and silence that shadow that town like the ever-present Adirondack mountains. As the days dwindle down and the attraction between the avowed priest and the married police chief grows, Clare will need all her faith, tenacity, and courage to stand fast against…[more]
Benjamin Weaver is an outsider in eighteenth-century London: a Jew among Christians; a ruffian among aristocrats; a retired pugilist who, hired by London’s gentry, travels through the criminal underworld in pursuit of debtors and thieves.
In A Conspiracy of Paper, Weaver investigates a crime of the most personal sort: the mysterious death of his estranged father, a notorious stockjobber. To find the answers, Weaver must contend with a desperate prostitute who knows too much about his past, relatives who remind him of his alienation from the Jewish faith, and a cabal of powerful men in the world of British finance who have hidden their business dealings behind an intricate web of deception and violence. Relying on brains and brawn, Weaver uncovers the beginnings of a strange new economic order based on stock speculation—a way of life that poses great risk for investors but real danger for Weaver and his family. …[more]
Loaded guns, ladies of the night, broken neon, broken dreams. Here is a world that is immediately recognizable—through a shot glass at three A.M. This is life with rough edges, in a novel that gives you the straight goods—point blank— one cold, snowbound Christmas Eve in Kansas. One single night, defined in shadings of black and white, when everything changes…
For most, the city is closing up. For a few outsiders, this night, Christmas Eve 1979, is just beginning. Charlie Arglist is a lawyer saying goodbye to Wichita by revisiting the landscape of his used up life: the cold stare of his angry ex-wife, the empty strip clubs and bars where loneliness turns a profit, the frozen glare of ex-lovers and cops long snuggled in his deep pockets. Club owner Renata, an elegant dish in a smoky dive, dreams of financial prosperity and holds a single frame of a stolen film that could help her achieve them. And there’s Vic. He’s got a reputation, a bad temper, and a secret worth half a million dollars. Not to mention a knack for bringing people together…for the last time. Before the night is over, the decisions they face and the choices they make will irrevocably alter the course of their lives—if they can live long enough to see Christmas Day sunrise.
Donna Andrews introduces a cast of quirky characters who will pull her heroine in different directions as she plans three successive summer weddings.
When Meg Langslow is roped into being a bridesmaid for the nuptials of her mother, her brother’s fiancee, and her own best friend, she is apprehensive. Getting the brides to chose their outfits and those of their bridesmaids (and not change their minds three days later), trying to capture the principals long enough to work out details, and even finding peacocks to strut around the garden during the ceremony—these are things Meg can handle. She can brush off the unfortunate oaf who is smitten with her, and take philosophically her disappointment when she learns that the only eligible man in her small Virginia town (and a delightful hunk he is) is of questionable sexual preference. But even Meg is taken aback when the unpleasant former sister-in-law of Meg’s…[more]