English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.
But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England’s magical past and regained some of the powers of England’s magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.
All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative-the very opposite…[more]
MGB officer Leo is a man who never questions the Party Line. He arrests whomever he is told to arrest. He dismisses the horrific death of a young boy because he is told to, because he believes the Party stance that there can be no murder in Communist Russia. Leo is the perfect soldier of the regime.
But suddenly his confidence that everything he does serves a great good is shaken. He is forced to watch a man he knows to be innocent be brutally tortured. And then he is told to arrest his own wife.
Leo understands how the State works: Trust and check, but check particularly on those we trust. He faces a stark choice: his wife or his life.
And still the killings of children continue…
On New Year’s morning, 1975, Archie Jones sits in his car on a London road and waits for the exhaust fumes to fill his Cavalier Musketeer station wagon. Archie—working-class, ordinary, a failed marriage under his belt—is calling it quits, the deciding factor being the flip of a 20-pence coin. When the owner of a nearby halal butcher shop (annoyed that Archie’s car is blocking his delivery area) comes out and bangs on the window, he gives Archie another chance at life and sets in motion this richly imagined, uproariously funny novel.
Epic and intimate, hilarious and poignant, White Teeth is the story of two North London families—one headed by Archie, the other by Archie’s best friend, a Muslim Bengali named Samad Iqbal. Pals since they served together in World War II, Archie and Samad are a decidedly unlikely pair. Plodding Archie is typical in every way until he marries Clara, a beautiful, toothless…[more]
A mesmerizing portrait of 1950s hypocrisy and unexpected love, from a powerful new voice
It is 1957, and Lewis Aldridge, straight out of prison, is journeying back to his home in Waterford, a suburban town outside London. He is nineteen years old, and his return will have dramatic consequences not just for his family, but for the whole community.
A decade earlier, his father’s homecoming has a very different effect. The war is over and Gilbert has been demobilized. He reverts easily to suburban life—cocktails at six-thirty, church on Sundays—but his wife and young son resist the stuffy routine. Lewis and his mother escape to the woods for picnics, just as they did in wartime days. Nobody is surprised that Gilbert’s wife counters convention, but they are all shocked when, after one of their jaunts, Lewis comes back without her. …[more]
Shortly after his arrival in Uganda, Scottish doctor Nicholas Garrigan is called to the scene of a bizarre accident: Idi Amin, careening down a dirt road in his red Maserati, has run over a cow. When Garrigan tends to Amin, the dictator, in his obsession for all things Scottish, appoints him as his personal physician. And so begins a fateful dalliance with the central African leader whose Emperor Jones-style autocracy would transform into a reign of terror.
In The Last King of Scotland Foden’s Amin is as ridiculous as he is abhorrent: a grown man who must be burped like an infant, a self-proclaimed cannibalist who, at the end of his 8 years in power, would be responsible for 300,000 deaths. And as Garrigan awakens to his patient’s baroque barbarism—and his own complicity in it—we enter a venturesome meditation on conscience, charisma, and the slow corruption of the human heart. Brilliantly written, comic and profound, The Last King of Scotland announces a major new talent.
In the town jail of Martirio, Texas — under the terrifying care of the dynastic Gurie family, and wearing only his New Jack trainers and underpants — fifteen-year-old Vernon Little is in trouble. His friend has just blown away sixteen of his classmates before turning the gun on himself. And Vernon has become the focus of the whole town’s need for vengeance, and the media’s appetite for sensational content — true or not. When the tricky Mr. Lesdema arrives in town — with a covert mission to promote himself from TV repairman to crack CNN reporter — Vernon thinks he has an ally. In fact, Lesdema is a villain of Machiavellian proportions. Vernon soon realizes that in this modern world innocence is definitely no defense. One distasteful arrangement with old Mr. Deutschman and $300 later, Vernon is headed for the border, for freedom and Mexico, and a much-anticipated date with the nigh-mythical Taylor Figueroa. But Texas isn’t finished with Vernon yet. Vital, riotously funny, and energetic, Vernon God Little puts lust for vengeance, materialism, and trial by media squarely in the dock. Vernon himself emerges as the lovable upholder of love, truth, and homespun wisdom in a world gone mad.
This title is the extraordinary story of James Stuart Fraser, a British soldier who deserts during the Korean War, is captured and sent to live among the Miao, a minority tribe in the highlands of Communist China.
Bruce Chatwin’s fascination with nomads and wanderlust represents itself in reverse in On the Black Hill, a tale of two brothers (identical twins) who never go anywhere. They stay in the farmhouse on the English-Welsh border where they were born, tilling the rough soil and sleeping in the same bed, touched only occasionally by the advance of the 20th century. Smacking of a Welsh Ethan Frome, Chatwin evokes the lonely tragedies of farm life, and above all the vibrant land of Wales.
This is a lyrical and profoundly moving story of love, loss and civil war, set in Sri Lanka, London and Venice.
When author, Theo Samarajeeva returns to his native Sri Lanka after his wife’s death, he hopes to escape his gnawing loss amidst the lush landscape of his increasingly war-torn country. But as he sinks into life in his beautiful, tortured land, he also finds himself slipping into friendship with an artistic young girl, Nulani, whose family is caught up in the growing turmoil—a friendship that gradually blossoms into love. Under the threat of civil war, their affair offers a glimmer of hope to a country on the brink of destruction!
But all too soon, the violence which has cast an ominous shadow over their love story explodes, tearing them apart. Betrayed, imprisoned and tortured, Theo is gradually stripped of everything he once held dear—his writing, his humanity and, eventually,…[more]
Hugh Bawn was a modern hero, a dreamer, a Socialist, a man of the people who revolutionized Scotland’s residential development after World War II. Now he lies dying on the eighteenth floor of one of the flats he built, flats that are being demolished along with the idealism he inherited from his mother. Hugh’s final months are plagued by memory and loss, by bitter feelings about his family and the country that could not live up to the housing constructed for it. His grandson, Jamie, comes home to watch over his dying mentor and sees in the man and in the land that bred him his own fears. He tells the story of his family-a tale of pride and delusion, of nationality and strong drink, of Catholic faith and the end of the old Left. It is a tale of dark hearts and modern houses, of three men in search of Utopia. Andrew O’Hagan’s story is a poignant and powerful reclamation of the past and a clear-sighted look at our relationship with personal and public history. Our Fathers announces the arrival of a major writer.