Margaret Atwood takes us back in time and into the life and mind of one of the most enigmatic and notorious women of the nineteenth century. Grace Marks has been convicted for her involvement in the vicious murders of her employer, the wealthy Thomas Kinnear, and of Nancy Montgomery, his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence after a stint in Toronto’s lunatic asylum, Grace herself claims to have no memory of the murders.
Dr. Simon Jordan, an up-and-coming expert in the burgeoning field of mental illness, is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story, from her family’s difficult passage out of Ireland into Canada, to her time as a maid in Thomas Kinnear’s household. As he brings Grace closer and closer to the day she cannot remember, he hears of the turbulent relationship between Kinnear and Nancy Montgomery, and of the alarming behavior of Grace’s fellow servant, James McDermott. Jordan is drawn to Grace, but he is also baffled by her. What will he find in attempting to unlock her memories? Is Grace a female fiend, a bloodthirsty femme fatale? Or is she a victim of circumstances?
With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975. The place is an unnamed city by the sea. The government has just declared a State of Emergency, in whose upheavals four strangers—a spirited widow, a young student uprooted from his idyllic hill station, and two tailors who have fled the caste violence of their native village—will be thrust together, forced to share one cramped apartment and an uncertain future.
As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state.
I’m not interested, the way some people are, in being sad. I’ve had a look, and there’s nothing down that road. Well now! What about the ripping sound behind my eyes, the starchy tearing of fabric, end to end; what about the need I have to curl up my knees when I sleep?
For all of her life, 44 year old Reta Winters has enjoyed the useful monotony of happiness: a loving family, good friends, growing success as a writer of light ‘summertime’ fiction. But this placid existence is cracked wide open when her beloved eldest daughter, Norah, drops out to sit on a gritty street corner, silent but for the sign around her neck that reads ‘GOODNESS.’ Reta’s search for what drove her daughter to such a desperate statement turns into an unflinching and surprisingly funny meditation on where we find meaning and hope.
Warmth, passion and wisdom come together in Shields’ remarkably supple prose. Unless, a harrowing but ultimately consoling story of one family’s anguish and healing, proves her mastery of extraordinary fictions about ordinary life.
The time is our own time. The place is Sri Lanka, the island nation formerly known as Ceylon, off the southern tip of India, a country steeped in centuries of cultural achievement and tradition—and forced into the late twentieth century by the ravages of civil war and the consequences of a country divided against itself.
Into this maelstrom steps a young woman, Anil Tissera, born in Sri Lanka, educated in England and America, a forensic anthropologist sent by an international human rights group to work with local officials to discover the source of the organized campaigns of murder engulfing the island.
Bodies are discovered. Skeletons. And particularly one, nicknamed ‘Sailor.’ What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past—all propelled by a riveting mystery.
Unfolding against the deeply evocative background of Sri Lanka’s landscape and ancient civilization, Anil’s Ghost is a literary spellbinder—the most powerful novel we have yet had from Michael Ondaatje.
Chip told them not to go out. Said don’t you boys tempt the devil, but the cheap beer in his gut made Hieronymus think a glass of milk would be worth the risk. Of course Chip was right, and the star musician on the European scene was taken away that night by the Boots. An easy target, being a mixed-race German. Fifty years later, Sidney, the only witness that day, is going back. He swore he wouldn’t, but Chip always was persuasive. Full of surprises too, like the mysterious letter he kept a secret that begins Sid’s slow journey towards redemption.
Esi Edugyan’s novel weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don’t tell your story, someone else might tell it for you. And they just might tell it wrong…
A stunning and provocative new novel by the internationally celebrated author of The Blind Assassin, winner of the Booker Prize, Margaret Atwood’s new novel is so utterly compelling, so prescient, so relevant, so terrifyingly-all-too-likely-to-be-true, that readers may find their view of the world forever changed after reading it. With breathtaking command of her shocking material and with her customary sharp wit and dark humour, Atwood projects us into a conceivable future of our own world, an outlandish yet wholly believable place left devastated in the wake of ecological and scientific disaster and populated by characters who will continue to inhabit your dreams long after the book is closed. This is Margaret Atwood at the absolute peak of her powers. For readers of Oryx and Crake, nothing will ever look the same again.
Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn’t share his brother’s appetite for whiskey and killing, he’s never known anything else. But their prey isn’t an easy mark, and on the road from Oregon City to Warm’s gold-mining claim outside Sacramento, Eli begins to question what he does for a living—and whom he does it for.
With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters—losers, cheaters, and ne’er-do-wells from all stripes of life—and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.
In Rawi Hage’s astonishing and unforgettable novel, a famous quote by Camus becomes a touchstone for two young men caught in Lebanon’s civil war. Bassam and George are childhood best friends who have grown to adulthood in wartorn Beirut. Now they must choose their futures: to stay in the city and consolidate power through crime; or to go into exile abroad, alienated from the only existence they have known. Bassam chooses one path: Obsessed with leaving Beirut, he embarks on a series of petty crimes to finance his departure. Meanwhile, George builds his power in the underworld of the city and embraces a life of military service, crime for profit, killing, and drugs.
Told in the voice of Bassam, De Niro’s Game is a beautiful, explosive portrait of a contemporary young man shaped by a lifelong experience of war. …[more]
The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West—the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era—with its visionaries, celebrities, and dreamers—provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter—“the Englishman’s boy”—whose fate, ultimately, is a tragic one.
It is the year 1934, and in a small town in Canada, Clara Callan reluctantly takes leave of her sister, Nora, who is bound for the show business world of New York. It’s a time when people escape from reality through radio and the movies, when the Dionne Quints make headlines, when the growing threat of fascism in Europe is a constant worry, and the two sisters—vastly different in personality yet inextricably linked by a shared past—try to find their place within the complex web of social expectations for young women in the 1930s.
While Nora embarks on a glamorous career as a radio soap opera star, Clara, a strong and independent-minded woman, struggles to observe the traditional boundaries of a small and tight-knit community without relinquishing her dreams of love, freedom, and adventure. But Nora’s letters eventually begin to reveal that her life in the big city is a little less exotic than it may…[more]