Edgar Award-winning author Tom Franklin returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas “32” Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county—and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.
More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers…[more]
“I was the Miracle Boy, once upon a time. Later on, the Milford Mute. The Golden Boy. The Young Ghost. The Kid. The Boxman. The Lock Artist. That was all me. But you can call me Mike.”
Marked by tragedy, traumatized at the age of eight, Michael, now eighteen, is no ordinary young man. Besides not uttering a single word in ten years, he discovers the one thing he can somehow do better than anyone else. Whether it’s a locked door without a key, a padlock with no combination, or even an eight-hundred pound safe…he can open them all. It’s an unforgivable talent. A talent that will make young Michael a hot commodity with the wrong people and, whether he likes it or not, push him ever close to a life of crime. Until he finally sees his chance to escape, and with one desperate gamble risks everything to come back home to the only person he ever loved, and to unlock the secret that has kept him silent for so long. Steve Hamilton steps away from his Edgar Award-winning Alex McKnight series to introduce a unique new character, unlike anyone you’ve ever seen in the world of crime fiction.
An intense psychological drama that echoes sophisticated entertainments like Gorky Park and The Talented Mr. Ripley.
Nick Platt is a British lawyer working in Moscow in the early 2000s—a place where the cascade of oil money, the tightening grip of the government, the jostling of the oligarchs, and the loosening of Soviet social mores have led to a culture where corruption, decadence, violence, and betrayal define everyday life. Nick doesn’t ask too many questions about the shady deals he works on—he’s too busy enjoying the exotic, surreally sinful nightlife Moscow has to offer.
One day in the subway, he rescues two willowy sisters, Masha and Katya, from a would-be purse snatcher. Soon Nick, the seductive Masha, and long-limbed Katya are cruising the seamy glamour spots of the city. Nick begins to feel something for Masha…[more]
The Fletchers’ beautiful new house is everything they dreamed it would be. Built between two churches in Heptonclough, a small village on the moors that time forgot, it ought to be paradise for this young family of five, but they barely have a chance to settle in before they find that they’re anything but welcome. Someone seems to be trying to drive them away—at first with silly pranks but then with threats that become increasingly dangerous, especially to the oldest child, ten-year-old Tom Fletcher, who begins to believe that someone is always watching him.
The adults in Tom’s life are trying to help, including his parents; the vicar next door, younger and more dashing than you’d expect a vicar to be; and a therapist, Evi Oliver, who believes him more than she wants to. But there are other clues that something isn’t quite right in Heptonclough, including the mysterious accidental deaths of three toddlers over the last ten years. It is not until Tom’s siblings, two-year-old Milly and five-year-old Joe Fletcher, go missing in turn that the little village’s evil secret turns the Fletchers’ dreams into a nightmare.
When a notorious millionaire banker hangs himself, his death attracts no sympathy. But the legacy of a lifetime of selfishness is widespread, and the carnage most acute among those he ought to be protecting: his family.
Meanwhile, in a wealthy suburb of Glasgow, a young woman is found savagely murdered. The community is stunned by what appears to be a vicious, random attack. When Detective Inspector Alex Morrow, heavily pregnant with twins, is called in to investigate, she soon discovers that a tangled web of lies lurks behind the murder. It’s a web that will spiral through Alex’s own home, the local community, and ultimately right back to a swinging rope, hundreds of miles away.
The End of the Wasp Season is an accomplished, compelling and multi-layered novel about family’s power of damage-and redemption.
Christopher Flynn is trying to get it right. After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father’s company, he’s seriously dating a woman he respects, and, aside from the distrust that lingers in his father’s eyes, his mistakes are firmly in the past.
One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back.
Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.
London’s Slough House is where the washed-up MI5 spies go to while away what’s left of their failed careers. The “slow horses,” as they’re called, have all disgraced themselves in some way to get relegated here. Maybe they messed up an op badly and can’t be trusted anymore. Maybe they got in the way of an ambitious colleague and had the rug yanked out from under them. Maybe they just got too dependent on the bottle—not unusual in this line of work. One thing they all have in common, though, is they all want to be back in the action. And most of them would do anything to get there─even if it means having to collaborate with one another.
Now the slow horses have a chance at redemption. An old Cold War-era spy is found dead on a bus outside Oxford, far from his usual haunts. The despicable, irascible Jackson Lamb is convinced Dickie Bow was murdered. As the agents dig into their fallen…[more]
Vincent Naylor is a professional thief, as confident as he is reckless. Just ten days out of jail, and he’s preparing his next robbery. But his plan is already unravelling. While investigating the murder of a crooked banker, Detective Sergeant Bob Tidey gets a call from an old acquaintance, Maura Coady. The retired nun believes there’s something suspicious happening in the Dublin backstreet where she lives alone.Maura’s call inadvertently unleashes a storm of violence that will engulf Vincent Naylor and force Tidey to make a deadly choice.
The Rage is a masterpiece of suspense, told against the background of a country’s shameful past and its troubled present.
Eighteen years ago, Billy Peters disappeared. Everyone in town believes Billy was murdered—after all, serial killer Arnold Avery later admitted killing six other children and burying them on the same desolate moor that surrounds their small English village. Only Billy’s mother is convinced he is alive. She still stands lonely guard at the front window of her home, waiting for her son to return, while her remaining family fragments around her.
But her twelve-year-old grandson Steven is determined to heal the cracks that gape between his nan, his mother, his brother, and himself. Steven desperately wants to bring his family closure, and if that means personally finding his uncle’s corpse, he’ll do it.
Spending his spare time digging holes all over the moor in the hope of turning up a body is a long shot, but at least…[more]
You have never met an (ex) FBI agent like Brigid Quinn
“Keeping secrets, telling lies, they require the same skill. Both become a habit, almost an addiction, that’s hard to break even with the people closest to you, out of the business. For example, they say never trust a woman who tells you her age; if she can’t keep that secret, she can’t keep yours. I’m fifty-nine.”
Brigid Quinn’s experiences in hunting sexual predators for the FBI have left her with memories she wishes she didn’t have and lethal skills she hopes never to need again. Having been pushed into early retirement by events she thinks she’s put firmly behind her, Brigid keeps telling herself she is settling down nicely in Tucson with a wonderful new husband, Carlo, and their dogs. …[more]