Annal:1999 National Book Award for Young People’s Literature
From AwardAnnals
Results of the National Book Award in the year 1999. For a ranked list of books, try an honor roll:
When Zachary Beaver Came to Town
- 1999 NBA–Youth winner
- Score: 10.49
The red words painted on the trailer caused quite a buzz around town and before an hour was up, half of Antler was standing in line with two dollars clutched in hand to see the fattest boy in the world.
Toby Wilson is having the toughest summer of his life. It’s the summer his mother leaves for good; the summer his best friend’s brother returns from Vietnam in a coffin. And the summer that Zachary Beaver, the fattest boy in the world, arrives in their sleepy Texas town. While it’s a summer filled with heartache of every kind, it’s also a summer of new friendships gained and old friendships renewed. And it’s Zachary Beaver who turns the town of Antler upside down and leaves everyone, especially Toby, changed forever.With understated elegance, Kimberly Willis Holt tells a compelling coming-of-age story about a thirteen-year-old boy struggling to find himself in an imperfect world. At turns passionate and humorous, this extraordinary novel deals sensitively and candidly with obesity, war, and the true power of friendship.
Speak: A Novel
- 1999 Golden Kite-fiction winner
- 2000 Edgar-Young Adult nominee
- 2000 Printz honor
- 1999 LATimes–Young Adult finalist
- 1999 NBA–Youth finalist
- Score: 34.49
- 1999 NBA–Youth finalist
- 2002 YRCA-Junior nominee
- Score: 10.49
- 1999 Horn Book-fiction honor
- 1999 NBA–Youth finalist
- Score: 12.49
- 2000 Printz winner
- 2000 Edgar-Young Adult nominee
- 1999 Horn Book-fiction honor
- 1999 LATimes–Young Adult finalist
- 1999 NBA–Youth finalist
- Score: 34.5
Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.
Guilty or innocent, Steve becomes a pawn in the hands of “the system,” cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.
As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers’s writing at its best.


