Annal:2008 National Book Critics Circle Award for Poetry

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Results of the National Book Critics Circle Award in the year 2008. For a ranked list of books, try an honor roll:

Half of the World in Light: New and Selected Poems

Juan Felipe Herrera

For nearly four decades, Juan Felipe Herrera has documented his experience as a Chicano in the United States and Latin America through stunning, memorable poetry that is both personal and universal in its impact, themes, and approach. Often political, never fainthearted, his career has been marked by tremendous virtuosity and a unique sensibility for uncovering the unknown and the unexpected. Through a variety of stages and transformations, Herrera has evolved more than almost any other Chicano poet, always re-inventing himself into a more mature and seasoned voice. Now, in this unprecedented collection, we encounter the trajectory of this highly innovative and original writer, bringing the full scope of his singular vision into view.

Beginning with early material from A Certain Man and moving through thirteen of his collections into new, previously unpublished work, this assemblage also includes an audio CD of the author reading twenty-four selected poems aloud. Serious scholars and readers alike will now have available to them a representative set of glimpses into his production…

Sleeping It Off in Rapid City: Poems, New and Selected

August Kleinzahler

The first broad retrospective of August Kleinzahler’s career, Sleeping It Off in Rapid City gathers poems from his major works along with a rich portion of new poems that visit different voice registers, experiment with form and length, and confirm Kleinzahler as among the most inventive and brilliant poets of our time. Travel—actual and imaginary—remains a passion and inspiration, and in these pages the poet also finds “This sanctified ground / Here, yes, here / The dead solid center of the universe / At the heart of the heart of America.”

Human Dark with Sugar

Brenda Shaughnessy

In her second book, Brenda Shaughnessy taps into themes that have inspired era after era of poets. Love. Sex. Pain. The heavens. The loss of time. The weird miracle of perception. Part confessional, part New York School, and part just plain lover of the English language, Shaughnessy distills the big questions into sharp rhythms and alluring lyrics. “You’re a tool, moon. / Now, noon. There’s a hero.”

Master of diverse dictions, she dwells here on quirky words, mouthfuls of consonance and assonance—anodyne, astrolabe, alizarin—then catches her readers up short with a string of powerful monosyllables. “I’ll take / a year of that. Just give it back to me.” In addition to its verbal play, Human Dark With Sugar demonstrates the poet’s ease in a variety of genres, from “Three Sorries” (in which the speaker concludes, “I’m not sorry. Not sorry at all”), to a sequence of prose poems on a lover’s body, to the discussion of a disturbing dream. In this caffeine jolt of a book, Shaughnessy confirms her status as a poet of intoxicating lines, pointed, poignant comments on love, and compelling abstract images —not the least of which is human dark with sugar.

The Landscapist: Selected Poems

Pierre Martory, John Ashbery

Selected poems of Pierre Martory translated from the French by John Ashbery.

“After I began translating Pierre Martory, that is, after I began to realize that his marvelous poetry would likely remain unknown unless I translated it and brought it to the attention of American readers, I have begun to find echoes of his work in mine. His dreams, his pessimistic resumes of childhood that are suddenly lanced by a joke, his surreal loves, his strangely lit landscapes with their inquisitive birds and disquieting flora, have been fertile influences for me, though I hope I haven’t stolen anything—well, better to steal than borrow, as Eliot more or less said. All of which may be a way of saying that there is no very easy way to describe Martory’s poetry. It is sui generis and it deserves to be read. And reread.” —John Ashbery

Sources

Devin Johnston

“Sparkling with energy and intelligence, these poems are like chips in a mosaic, spare, hard, precise, and with a classic humanity and grace.”-David Malouf

Sources, Devin Johnston’s third book of poetry, returns ad fontes: to sources in Greek and Latin, secret derivations, wellsprings of feeling, and forces of nature. Sonically alert, these poems attend to the world with restless curiosity.
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