Armageddon

From AwardAnnals

Jump to: navigation, search
Film:

Armageddon

Director: Michael Bay
Honors:
Genres:
Distributor: Walt Disney Video
The latest testosterone-saturated blow-’em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood’s millennium-fueled fascination with the destruction of our planet. There’s no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies—loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay’s protagonists—the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a…
Find it:

Reviews

Amazon.com

The latest testosterone-saturated blow-’em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood’s millennium-fueled fascination with the destruction of our planet. There’s no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies—loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay’s protagonists—the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth—are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they’re American cowboys turned astronauts. Sci-fi buffs will appreciate Bay’s fetishizing of technology, even though it’s apparent he doesn’t understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it’s mindless fun; it’s only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly—African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French…if it’s not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females—four if you count the meteor, who’s constantly referred to as a “bitch that needs drillin’,” but she’s a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay’s film creates some tension and contains some visceral moments, but if he can’t create any redeemable characters outside of those in space, what’s the point of saving the planet? —Dave McCoy

— — — — — — — Retrieved from "http://www.awardannals.com/wiki/Armageddon", Sun, 21 Mar 2010 13:11:45 GMT — — — — — — —
  • A WikiPresto Site
  • Attribution-Noncommercial-Share Alike


Book Genres Best of…
Action/Adventure
Biography recent 2000s 1990s 1980s
Children's recent 2000s 1990s 1980s
Criticism
Drama
Fantasy recent 2000s 1990s 1980s
Fiction recent 2000s 1990s 1980s
History recent 2000s 1990s 1980s
Horror recent 2000s 1990s 1980s
Mystery/Suspense recent 2000s 1990s 1980s
Nonfiction recent 2000s 1990s 1980s
Poetry
Romance
Science Fiction recent 2000s 1990s 1980s
Science/Technology
Speculative Fiction recent 2000s 1990s 1980s
Sports
Western
Young Adult recent 2000s 1990s 1980s
Film Genres

Action/Adventure

Animation

Biography

Children's

Comedy

Documentary

Drama

Fantasy

History

Horror

Musical

Mystery/Suspense

Romance

Romantic Comedy

Science Fiction

Science/Technology

Speculative Fiction

Sports

Western

Music Genres

Blues

Children's

Classical

Country

Dance

Folk

Jazz

Pop

Rap/Hip-Hop

Rock

Rythm & Blues

Soundtrack