Experience
From AwardAnnals
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| Author(s) | Martin Amis |
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| Subtitle | A Memoir |
| Publisher | Miramax Books |
| Honors | |
| Perhaps the most gifted and innovative novelist of his generation, Martin Amis has been the object of obsessive media scrutiny for much of his career. In this much anticipated memoir, he writes with striking candor about his life and, in the process, gives us a clear view of the “geography of the writer’s mind”. The son of the great comic novelist Kingsley Amis, Martin Amis explores his relationship with his father and writes about the various crises of Kingsley’s life, including the final crisis of his death. Amis also reflects on the life and legacy of his… | |
Perhaps the most gifted and innovative novelist of his generation, Martin Amis has been the object of obsessive media scrutiny for much of his career. In this much anticipated memoir, he writes with striking candor about his life and, in the process, gives us a clear view of the “geography of the writer’s mind”.
The son of the great comic novelist Kingsley Amis, Martin Amis explores his relationship with his father and writes about the various crises of Kingsley’s life, including the final crisis of his death. Amis also reflects on the life and legacy of his cousin, Lucy Partington, who disappeared without trace in 1973 and was exhumed nearly twenty years later from the back garden of Frederick West, Britain’s most prolific serial murderers.
Inevitably, too, the memoir records the changing literary scene in Britain and the United States, including a wealth of anecdotes along with memorable pen-portraits of Saul Bellow, Salman Rushdie, Allan Bloom, Philip Larkin, Robert Graves, and Elizabeth Jane Howard, among others.
The result is a remarkable work of autobiography—profound, witty, and ruthlessly honest. As a writer’s self-portrait, it is destined to become a classic of its kind.
Honors
Reviews
Amazon.com
“We live in the age of mass loquacity,” Martin Amis writes by way of introduction to Experience, thereby placing the reader in a curious bind. How to feel about a memoir by a writer who deplores our current enthusiasm for memoirs? Can such a public appeal for private life be convincing? The son of misanthropic comic novelist Kingsley Amis, Amis the Younger’s life story is “a literary curiosity,” he tells us, “which is also just another instance of a father and a son.” He’s spent his whole life bathed in the dubious yellow glow of celebrity, from the cries of nepotism surrounding his first novel’s publication to the bizarre tempest in a teapot involving the size of the advance for The Information, his choice of literary agent, and of course that famously expensive set of new teeth.
Here, finally, is Amis’s chance to set matters straight—and if you’re looking for his take on these controversies, you won’t be disappointed. In fact, you should turn right away to the end of the book. After all, how many memoirs have indices—and how many indices are this entertaining? In addition to movers and shakers like “Travolta, John,” “Brown, Tina,” and “Bellow, Saul,” one finds an extended entry for “dental problems,” which includes “of animals,” “sexual potency and,” “Bellow on,” and—more ominously—“tumour.”
Yet it’s as “a clear view of the geography of a writer’s mind,” not as a celebrity tell-all, that Experience succeeds. Organized not by chronology but by a strange thematic schema all Amis’s own, this messy, tangential book moves backward and forward in time and comes studded with footnotes and interspersed with schoolboy epistles. As a result, it’s much truer to the actual texture of experience than anything more “novelistic” could possibly be. Amis’s charming, quarrelsome, almost entirely helpless father; the tragic disappearance of his cousin, Lucy Partington; the daughter discovered only as an adult; those teeth—the narrative circles around these events and personages in prose as virtuoso but often less chilly than that found in his novels. This is memoir as anatomy of obsessions, and in the most profound way, it illuminates the source and power of Amis’s remarkable work. —Mary Park
