From Bondage
From AwardAnnals
| Book: | From Bondage: A Novel |
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| Author: | Henry Roth |
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| Publisher: | St Martins Pr |
At its heart, From Bondage is the mesmerizing love triangle involving young Ira, an impressionable neophyte from Jewish Harlem, and Edith Welles, a sophisticated professor of English, a muse to starving poets and lovelorn men, who sweeps Ira into her world of soigne parties and literary debaucheries. Edith, as the old man Ira relays the story, is still physically involved with her former student Larry Gordon when she finds herself attracted to Ira, who is Larry’s best friend. To complicate the matter even more, Edith is also carrying on a simultaneous affair with Lewlyn, the separated husband of the aspiring anthropologist Marcia Meede.
Fictionalizing the lives of the celebrities of the 1920s, including such burgeoning literary figures as Hart Crane, Louise Bogan, Leonie Adams, and Margaret Mead, Roth creates an unforgettable portrait of New York where “the lights of Manhattan twisted toward him across the rippling water like a gimlet.” Perhaps the last witness to this age, Roth paints a gentile and genteel world that contrasts so vividly with the seemingly coarse, abject slums of the Pushcart District from which he had sprung. Ira, then a young man, is the observant witness to the spectacle that unfolds, seeking desperately to ingratiate himself into this world of sophisticates, yet hopelessly tethered to the tenement roots he cannot escape.
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After the publication of his first novel, Call It Sleep, at the tender age of 28 in 1934, Henry Roth fell into a writer’s block that lasted more than 40 years. He began writing again in the 1970s and Mercy of a Rude Stream, intended to be a six-volume series, is the result. A chronicle of the life of Ira Stigman, the first two volumes, A Star Shines Over Mt. Morris Park and A Diving Rock on the Hudson, were published in 1994 and 1995. Roth died in October of 1995, and the posthumously published From Bondage is the third in the series. Though the novel is full of observations and events from Roth’s life, he was adamant before his death that this third volume was not autobiographical.
