Get Shorty (film)
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| Director(s) | Barry Sonnenfeld |
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| Distributor | MGM (Video & DVD) |
| Honors | |
| Hailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob “mechanic” whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new career as a would-be movie producer. He pitches ideas with a… | |
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Hailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob “mechanic” whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new career as a would-be movie producer. He pitches ideas with a sleazy producer (Gene Hackman) and a major star (Danny DeVito), and also finds time to deal with a vengeful Mobster (Dennis Farina) and assorted Hollywood types (including Renee Russo and Delroy Lindo) who all want their piece of a tempting show-biz pie. The plot unfolds with enticing precision, but it’s really Elmore’s snappy dialogue—and the performances that bring it to life—that make this one of the best comedies of the 1990s. —Jeff Shannon
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John Travolta is the standout in this somewhat cartoonish adaptation of Elmore Leonard’s novel about a smalltime Miami enforcer (Travolta) who decides to get into the movie business in LA. The cast sparkles—Gene Hackman as a failing cut-rate-movie producer, Rene Russo as a failed actress, Danny DeVito as a vain thespian, Delroy Lindo as a mobster who wants a cut of Travolta’s film action—and the script is clever. But not clever enough: this isn’t Robert Altman’s The Player, as far as satires about Hollywood go. But director Barry Sonnenfeld (Men in Black) keeps Get Shorty cute and brisk and that makes for an enjoyable experience. Travolta is great as a vaguely dangerous, supremely self-confident man whose love of movies makes him almost cuddly. —Tom Keogh
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