Happy-Go-Lucky
From AwardAnnals
| Film: | Happy-Go-Lucky |
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| Director: | Mike Leigh |
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| Distributor: | Miramax |
Poppy’s ability to maintain her perspective is tested as the story begins and her commuter bike is stolen. However, she enthusiastically signs up for driving lessons with Scott (Eddie Marsan), who turns out to be her nemesis—a fuming, uptight cynic. As the tension of their weekly lessons builds, Poppy encounters even more challenges to her positive state of mind: a fiery flamenco instructor, her bitter pregnant sister, a troubled homeless man and a young bully in her class, not to mention that she has also thrown out her back. How this affects not only Poppy’s world view but also the outlook of those around her begs the question “glass half full or half empty”?
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Reviews
Amazon.com
A more upbeat movie than you might expect from Mike Leigh, yet one that finds one of Britain’s finest film directors still on good form. Happy-Go-Lucky follows a primary school teacher, Poppy, played by Sally Hawkins, who has an infectious, positive manner about her. She’s the shining core of the film, an upbeat, happy, yet absolutely three dimensional character.
Poppy’s nature is, inevitably, somewhat tested in Happy-Go-Lucky, not least by driving instructor Scott. Superbly played by Eddie Marsan, it’s fair to say that Scott doesn’t share Poppy’s positivity, yet once more, he’s a frighteningly real character, and at times extremely unsettling to watch.
There are layers to Happy-Go-Lucky, with plenty bubbling on under the surface, yet that there’s no escaping the fact that it is a cheerier movie than Leigh usually delivers. It’s fuelled particularly by Sally Hawkins, who is quite brilliant in the central role, and it’s potentially a career-making performance from her.
Yet, once again, the hidden star of Happy-Go-Lucky is Mike Leigh himself, who has shaped an often very funny film, but not one without some gravitas to it. The man remains a national treasure, and Happy-Go-Lucky is but the latest reason why. An easy film to recommend.—Jon Foster
