Honor roll:Drama books
From AwardAnnals
Each of these Drama books has received at least one award nomination. They are ranked by honors received.
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London has flooded. Britain is tropical. And people photosynthesize.
In a semi-tropical London, surrounded by paddyfields, the people photosynthesize. The Consensus, a vast DNA unit, controls the country. Children are raised in Child Gardens and educated by virus. Viruses control their behaviour; nonconformism is treated by the Consensus. Information, culture, law and politics are now biological functions.
This is the story of Lucy, the immortal tumor, Joseph the Postman, whose mind is an information storehouse for others, and Milena, an incredible musician who has a secret, lost even to herself. She is resistant to viruses. It makes her alienated in an enclosing world. It will make her one of the most extraordinary women of her age. The secret is lost in memory. It is hidden somewhere—in the Child Garden.
G: A Novel
In this luminous novel—winner of Britain’s prestigious Booker Prize—John Berger relates the story of “G.,” a young man forging an energetic sexual career in Europe during the early years of this century. With profound compassion, Berger explores the hearts and minds of both men and women, and what happens during sex, to reveal the conditions of the Don Juan’s success: his essential loneliness, the quiet cumulation in each of his sexual experiences of all of those that precede it, the tenderness that infuses even the briefest of his encounters, and the way women experience their own extraordinariness through their moments with him. All of this Berger sets against the turbulent backdrop of Garibaldi and the failed revolution of Milanese workers in 1898, the Boer War, and the first flight across the Alps, making G. a brilliant novel about the search for intimacy in history’s private moments.
Headlong: A Novel
An unlikely con man wagers wife, wealth, and sanity in pursuit of an elusive Old Master.
Invited to dinner by the boorish local landowner, Martin Clay, an easily distracted philosopher, and his art-historian wife are asked to assess three dusty paintings blocking the draught from the chimney. But hiding beneath the soot is nothing less-Martin believes-than a lost work by Bruegel. So begins a hilarious trail of lies and concealments, desperate schemes and soaring hopes as Martin, betting all that he owns and much that he doesn’t, embarks on a quest to prove his hunch, win his wife over, and separate the painting from its owner.
In Headlong, Michael Frayn, “the master of what is seriously funny” (Anthony Burgess), offers a procession of superbly realized characters, from the country squire gone to seed to his giddy, oversexed young wife. All are burdened by human muddle and human cravings; all are searching for a moral compass as they grapple with greed, folly, and desire. And at the heart of the clamor is Breugel’s vision, its dark tones warning of the real risks of temptation…
A Town Getting Away With Murder
Beneath the glamour of a trendy Hamptons summer town lies another world–one of dark lives and desperate secrets. And when Labor Day arrives and the beautiful people depart, locals like Declan MacManus are left behind to make a living out of just surviving. A sometime P.I., MacManus is an expert at self-defense and a master of self-destruction, but nothing he’s seen of the dark side of fortune can prepare him for what he is about to discover.
On a dark, deserted road Mac witnesses a bizarre, single-car wreck, but he knows that what he saw was murder. Following a trail of clues to a chilling conspiracy, Mac is running out of time, out of chances, and out of luck. He is about to become part of a secret no one is willing to talk about…
Shakespeare: The Invention of the Human
Shakespeare: The Invention of the Human is the culmination of Harold Bloom’s life’s work in reading, writing about, and teaching Shakespeare. It is his passionate and convincing analysis of the way in which Shakespeare not merely represented human nature as we know it today, but actually created it: before Shakespeare, there was characterization; after Shakespeare, there was character, men and women with highly individual personalities—Hamlet, Falstaff, Iago, Cleopatra, Macbeth, Rosalind, and Lear, among them. In making his argument, Bloom leads us through a brilliant and comprehensive reading of every one of Shakespeare’s plays.
According to a New York Times report on Shakespeare last year, “more people are watching him, reading him, and studying him than ever before.” Shakespeare: The Invention of the Human is a landmark contribution, a book that will be celebrated and read for many years to come. It explains why Shakespeare has remained our most popular playwright for more than four hundred years, and in helping us to understand ourselves through literature, it restores the role of critic to one of central importance to our culture.
In these three plays, the author brilliantly recasts traditional traditional forms to capture the essence of the lives of black people.
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