Honor roll:Griffin Poetry Prize – Canadian

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Each of these books has been nominated for a Griffin Poetry Prize – Canadian. They are ranked by honors received.

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Men in the Off Hours

Anne Carson

Following her widely acclaimed Autobiography of Red (“A spellbinding achievement” —Susan Sontag), a new collection of poetry and prose that displays Anne Carson’s signature mixture of opposites—the classic and the modern, cinema and print, narrative and verse.

In Men in the Off Hours, Carson reinvents figures as diverse as Oedipus, Emily Dickinson, and Audubon. She views the writings of Sappho, St. Augustine, and Catullus through a modern lens. She sets up startling juxtapositions (Lazarus among video paraphernalia; Virginia Woolf and Thucydides…

 

The Holy Forest: Collected Poems of Robin Blaser

Robin Blaser

Robin Blaser, one of the key North American poets of the postwar period, emerged from the “Berkeley Renaissance” of the 1940s and 1950s as a central figure in that burgeoning literary scene. The Holy Forest, now spanning five decades, is Blaser’s highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing “Image-Nation” and “Truth Is Laughter” series, and new work from 1994 to 2004. This comprehensive compilation of Blaser’s prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.

 

Strike/Slip

Don McKay

In this extraordinary collection from one of our most celebrated poets, Don McKay walks the strike-slip fault between poetry and landscape, sticks its strange nose into the cold silence of geologic time, meditates on marble, quartz and gneiss, and attends to the songs of ravens and thrushes and to the clamour of the industrialized bush. Behind these poems lies the urge to engage the tectonics of planetary dwelling with the rickety contraption of language, and to register the stress, sheer and strain — but also the astonishment — engendered by that necessary failure.

 

Nerve Squall

Sylvia Legris

Nerve Squall is a field guide like no other, a surreal handbook to a landscape at the crossroads of meteorology and neurology, where the electrical storms without and the electrical impulses within converge.

Legris’s fascination with weather, ghosts and brain disorders is the starting point for a collection of poetry that ensures you’ll never look at nature the same way again. You’ll find snow golems and ghost cats, and a sky filled with fish swimming the winds of a storm. And you’ll find a haunted terrain where the natural world becomes an allegory for our most intimate fears.

Despite their dark and often cinematic approach, these poems are also tinged with a sly, apocalyptic wit that can’t help but laugh as the sky falls.

 

Short Journey Upriver Toward Oishida: Poems

Roo Borson

In Roo Borson’s new watershed collection, it is as though language were being taught to increase its powers of concentration, to hearken simultaneously to the fully impinged-upon senses, the reflecting mind with its griefs and yearnings, the heart with its burden of live memory. Always “the line bends as the river bends,” a quick ever-adjusting music that carries in its current those cherished, perishable, details of eye and ear, mid-life reflections on loss and home, the subtle shifts in season suddenly made strange and re-awakened. Recurrently, probingly, the…

 

Loop: Poems

Anne Simpson

In Loop, Anne Simpson explores the power, and the anguish, of many different modes of return—retrieval, revision, the covering of old ground with eyes wider and thoughts reconditioned by difficult wisdom. These poems occur at that place where a focused, compassionate vision comes to inhabit language and to find the forms that will suffice: a Möbius strip poem that loops back on itself; a crown of sonnets that take us back to the shock and grief of the twin towers and find deep resonance with paintings by Brueghel; a set of quick improvisations like the…

 

Concrete and Wild Carrot

Margaret Avison

In Margaret Avison’s new poems, little pleasures are bound up with larger ones. Her slightest subjects—beloved Toronto parks with their population of oaks, firs, squirrels, dogs, kids, even ants, and the minutest sighs of her contemporary urban soundscape—all have their being within an immense composition that calls and hauls us to a largeness, a category-breaking “always unthinkable” beyond. “Words have their life too, won’t/ compact into a theorem,” Avison says, and this is certainly true of hers.

To myself everywhere:
Cry out, “Break!” Break…
 

Eunoia

Christian Bök

“Eunoia” which means “beautiful thinking” is the shortest English word to contain all five vowels. This book also contains them all, except that each one appears by itself in its own chapter. A unique personality for each vowel soon emerges: the courtly A, the elegiac E, the lyrical I, the jocular O, and the obscene U. A triumphant feat, seven years in the making, this uncanny work of avant-garde literature promises to be one of the most important books of the decade.

 

Notebook of Roses and Civilization

Nicole Brossard, Robert Majzels, Erín Moure

The heat of summer on an earlobe, a parking meter, the shadow of crabs and pigeons under a cherry tree, an olive, a shoulder blade in the poems of Nicole Brossard these concrete, quotidian things move languorously through the senses to find a place beyond language. Taken together, they create an audacious new architecture of meaning.

Nicole Brossard, one of the world’s foremost literary innovators, is known for her experiments with language and her groundbreaking treatment of desire and gender. This dextrous translation by the award-winning poets and translators Erín Moure (Little Theatres) and Robert Majzels (Apikoros Sleuth) brings into English, with great verve and sensitivity, Brossard’s remarkable syntax and sensuality.

 

Why Are You So Sad?: Selected Poems

David W. McFadden

David W. McFadden’s life in Canadian poetry has spanned five decades, and he’s still going strong. This selection from his career to date brings back into print many of the greatest poems from nearly two dozen books. McFadden is that rare and precious breed of artist: He is both a poet’s poet and a people’s poet.

 
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