Honor roll:Man Booker Prize for Fiction
From AwardAnnals
Each of these books has been nominated for a Man Booker Prize for Fiction. They are ranked by honors received.
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The Handmaid's Tale: A Novel
- 1987 Clarke winner
- 1986 LATimes–Fiction winner
- 1985 Governor General's winner
- 1987 Prometheus finalist
- 1986 Booker shortlist
- 1986 Nebula nominee
- Score: 48.37
In the world of the near future, who will control women’s bodies?
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable.
Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now.
Funny, unexpected, horrifying, and altogether convincing, The Handmaid’s Tale is at once scathing satire, dire warning, and tour de force.
Atonement: A Novel
- 2002 LATimes–Fiction winner
- 2002 NBCC–Fiction winner
- 2001 Booker shortlist
- 2001 JT Black-Fiction shortlist
- 2001 Whitbread-Novel shortlist
- Score: 38.52
On the hottest day of the summer of 1935, thirteen-year-old Briony Tallis sees her older sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching Cecilia is their housekeeper’s son Robbie Turner, a childhood friend who, along with Briony’s sister, has recently graduated from Cambridge.
By the end of that day the lives of all three will have been changed forever. Robbie and Cecilia will have crossed a boundary they had never before dared to approach and will have become victims of the younger girl’s scheming imagination. And Briony will have committed a dreadful crime, the guilt for which will color her entire life.
In each of his novels Ian McEwan has brilliantly drawn his reader into the intimate lives and situations of his characters. But never before has he worked with so large a canvas: In Atonement he takes the reader from a manor house in England in 1935 to the retreat from Dunkirk in 1941; from the London’s World War II military hospitals to a reunion of the Tallis clan in 1999.
Atonement is Ian McEwan’s…
- 2000 Booker winner
- 2000 Hammett winner
- 2002 IMPAC Dublin shortlist
- 2001 Orange shortlist
- 2000 Governor General's finalists
- Score: 38.5
Margaret Atwood takes the art of storytelling to new heights in a dazzling new novel that unfolds layer by astonishing layer and concludes in a brilliant and wonderfully satisfying twist.
For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious.
The novel opens with these simple, resonant words: “Ten days after the war ended, my sister drove a car off the bridge.” They are spoken by Iris, whose terse account of her sister Laura’s death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura’s story, Atwood introduces a novel-within-a- novel. Entitled The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a…
- 1995 Pulitzer–fiction winner
- 1994 NBCC–Fiction winner
- 1993 Governor General's winner
- 1993 Booker shortlist
- Score: 36.45
The Stone Diaries is the story of one woman’s life; a truly sensuous novel that reflects and illuminates the unsettled decades of our century.
Born in 1905, Daisy Goodwill drifts through the chapters of childhood, marriage, widowhood, remarriage, motherhood and old age. Bewildered by her inability to understand her own role, Daisy attempts to find a way to tell her own story within a novel that is itself about the limitations of autobiography.
Alias Grace: A Novel
- 1996 Giller Prize winner
- 1998 IMPAC Dublin shortlist
- 1997 Orange shortlist
- 1996 Booker shortlist
- 1996 Governor General's finalists
- Score: 34.46
Margaret Atwood takes us back in time and into the life and mind of one of the most enigmatic and notorious women of the nineteenth century. Grace Marks has been convicted for her involvement in the vicious murders of her employer, the wealthy Thomas Kinnear, and of Nancy Montgomery, his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence after a stint in Toronto’s lunatic asylum, Grace herself claims to have no memory of the murders.
Dr. Simon Jordan, an up-and-coming expert in the burgeoning field of mental illness, is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story, from her family’s difficult passage out of Ireland into Canada, to her time as a maid in Thomas Kinnear’s household. As he brings Grace closer and closer to the day she cannot remember, he hears of the turbulent relationship between Kinnear and Nancy Montgomery, and of the alarming behavior of Grace’s fellow servant, James McDermott. Jordan is drawn to Grace, but he is also baffled by her. What…
The Inheritance of Loss: A Novel
- 2006 Booker winner
- 2006 NBCC–Fiction winner
- 2007 Orange shortlist
- 2006 Kiriyama-Fiction finalist
- Score: 32.56
Kiran Desai’s first novel, Hullabaloo in the Guava Orchard, was published to unanimous acclaim in over twenty-two countries. Now Desai takes us to the northeastern Himalayas where a rising insurgency challenges the old way of life.
In a crumbling, isolated house at the foot of Mount Kanchenjunga lives an embittered old judge who wants to retire in peace when his orphaned granddaughter Sai arrives on his doorstep. The judge’s chatty cook watches over her, but his thoughts are mostly with his son, Biju, hopscotching from one New York restaurant job to another, trying to stay a step ahead of the INS, forced to consider his country’s place in the world. When a Nepalese insurgency in the mountains threatens Sai’s new-sprung romance with her handsome Nepali tutor and causes their lives to descend into chaos, they, too, are forced to confront their colliding interests. The nation fights itself. The cook witnesses the hierarchy being overturned and discarded. The judge must revisit his past, his own role in this grasping world of conflicting desires-every moment holding out the possibility…
- 1996 LATimes–Fiction winner
- 1995 Giller Prize winner
- 1997 IMPAC Dublin shortlist
- 1996 Booker shortlist
- Score: 32.46
With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975. The place is an unnamed city by the sea. The government has just declared a State of Emergency, in whose upheavals four strangers—a spirited widow, a young student uprooted from his idyllic hill station, and two tailors who have fled the caste violence of their native village—will be thrust together, forced to share one cramped apartment and an uncertain future.
As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state.
Last Orders: A Novel
- 1996 Booker winner
- 1996 JT Black-Fiction winner
- 1998 IMPAC Dublin shortlist
- 1996 Whitbread-Novel shortlist
- Score: 32.46
Graham Swift’s first novel since the highly acclaimed Ever After is a subtle yet deeply felt exploration of the ways in which friendship and love are shaped by the past and by fate. At its center is a group of men, friends since the Second World War, whose lives revolve around work, family, the racetrack, and their favorite pub. Now, the death of one of them, and the survivors’ task of driving their friend’s ashes from London to the seaside town where they’ll be scattered, compels them to take stock.
Through conversation and memory they trace the paths they have followed by choice and by accident: through war and its aftermath, through the dramas of their family lives and of their shifting relationships with one another. In brilliantly realized, richly humorous voices, Swift has created a narrative language that perfectly expresses not only the comforts of old habits and friendships but the profound emotional revelations this brief but far-reaching journey will bring them.
Cloud Atlas: A Novel
- 2005 Clarke shortlist
- 2004 Booker shortlist
- 2004 JT Black-Fiction shortlist
- 2004 NBCC–Fiction finalist
- 2004 Nebula nominee
- Score: 30.55
Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, inveigles his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. And onward, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.” But the story doesn’t even end there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
Unless: A Novel
- 2003 Orange shortlist
- 2002 Booker shortlist
- 2002 Giller Prize shortlist
- 2002 Governor General's finalists
- 2002 JT Black-Fiction shortlist
- Score: 30.53
I’m not interested, the way some people are, in being sad. I’ve had a look, and there’s nothing down that road. Well now! What about the ripping sound behind my eyes, the starchy tearing of fabric, end to end; what about the need I have to curl up my knees when I sleep?
For all of her life, 44 year old Reta Winters has enjoyed the useful monotony of happiness: a loving family, good friends, growing success as a writer of light ‘summertime’ fiction. But this placid existence is cracked wide open when her beloved eldest daughter, Norah, drops out to sit on a gritty street corner, silent but for the sign around her neck that reads ‘GOODNESS.’ Reta’s search for what drove her daughter to such a desperate statement turns into an unflinching and surprisingly funny meditation on where we find meaning and hope.
Warmth, passion and wisdom come together in Shields’ remarkably supple prose. Unless, a harrowing but ultimately consoling story of one family’s anguish and healing, proves her mastery of extraordinary fictions about ordinary life.
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