House of Sand and Fog: Original Motion Picture Soundtrack
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| Artist(s) | James Horner |
|---|---|
| Subtitle | Original Motion Picture Soundtrack |
| Label | Varese Records |
| Honors | |
| A California real estate dispute may hardly seem the foundation for riveting drama, but in director Vadim Perelman’s adaptation of Andre Dubus II’s novel it becomes an unflinching, yet crucially non-judgmental study of disparate characters caught up in a spiraling conflict where home is considerably more than a place to live. Composer James Horner takes the medium-budget project as an opportunity to break with much of the melodic expectations of his Hollywood fare, coloring the film’s more personally-scaled drama with an introspective score that turns on… | |
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A California real estate dispute may hardly seem the foundation for riveting drama, but in director Vadim Perelman’s adaptation of Andre Dubus II’s novel it becomes an unflinching, yet crucially non-judgmental study of disparate characters caught up in a spiraling conflict where home is considerably more than a place to live. Composer James Horner takes the medium-budget project as an opportunity to break with much of the melodic expectations of his Hollywood fare, coloring the film’s more personally-scaled drama with an introspective score that turns on masterful musical evocations of mood and emotion. Horner begins with a deft electronic/orchestral synthesis (“An Older Life”) that both recalls some of T-Dream’s more evocative cinematic moments and subtly sets up the score’s melancholy emotional tone. From there he relies heavily on autumnal, string writing (reminiscent of Copland and Barber) and spare piano flourishes, seasoned with inventive rhythmic touches, to carry its moody tone forward. While it may draw on some of the same minimalist and post-modern influences as A Beautiful Mind, it has a wholly different emotional cast; a dark, but deeply rewarding musical journey. —Jerry McCulley
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