John Williams
From AwardAnnals
Information about the artist.
Works
- Works 1–10 of 14
- Show titles only
- Next 10 –>
Memoirs of a Geisha: Original Motion Picture Soundtrack
John Williams
Director Rob Marshall hired three of Asia’s most fabulous stars (Zhang Ziyi, Michelle Yeoh, and Gong Li) for this Japan-set movie, so one wonders why he didn’t put in a call to a local composer as well. Was Tan Dun’s line busy? Was Joe Hisaishi otherwise engaged? In any case, John Williams won the assignment, and he didn’t end up with egg on his face. Mercifully, Williams left the bombast at home and put cellist Yo-Yo Ma and violinist Itzhak Perlman to good use in this sensitive score. The lovely “Sayuri’s Theme” resurfaces at regular intervals, and it’s good to…
Catch Me If You Can: Music from the Motion Picture
John Williams
Steven Spielberg veered from the futuristic sci-fi flirtations of A.I. and Minority Report with this brisk, stylish period take on the career of teen con-man extraordinaire Frank Abagnale (Leonardo DiCaprio) and his dogged G-man pursuer/de facto extended family member Carl Hanratty (Tom Hanks). As always, the director’s musical collaborator is John Williams, and the scoring legend uses the occasion of their 20th collaboration as a rewarding musical journey back to the days when he was known as Johnny Williams, ambitious young pianist for Henry…
Artificial Intelligence: Music from the Motion Picture
John Williams
Packed with Big Ideas about the future of mankind and dispatched with a distant, often icy veneer, Steven Spielberg’s Artificial Intelligence can scarcely camouflage its roots. It was begun by the late Stanley Kubrick in the mid-’80s; Spielberg collaborated briefly a decade later, bowed out, then inherited it upon Kubrick’s death in ‘99. And while the late auteur’s cold vision seems largely intact (if now infused with Spielberg’s enduring Pinocchio fetish), it’s safe to say that Kubrick’s often challenging musical tastes would probably not have led him to…
Angela's Ashes: Music From The Motion Picture
John Williams
Given that John Williams has his pick of much of the $80-million, thrill-packed boilerplate that comes clanging out of Hollywood every summer and fall, it’s especially noteworthy (and often gratifying) when he doesn’t exercise his option. In scoring Alan Parker’s adaptation of Frank McCourt’s Pulitzer-winning memoirs of his dire Irish upbringing in the 1930s and ‘40s, Williams has produced a graceful, autumnal work of compelling, though decidedly delicate, emotional power. Using spare piano and solo woodwind melodies filled with longing eloquence, Williams…
Munich: Original Motion Picture Soundtrack
John Williams
Steven Spielberg directs an international cast in Munich, a suspense thriller set in the aftermath of the massacre of eleven Israeli athletes at the 1972 Summer Olympics. Five-time Academy Award winner John Williams lends his musical talents to the film by composing and conducting the magnificent soundtrack. For Munich, Williams has created some of the most powerful and enduring film music of our time. With his sweeping score, he puts forth a feeling of intense emotion that takes the listener on a thought-provoking journey.
Harry Potter & the Prisoner of Azkaban
John Williams
If the commercial constraints of genre and chronic Hollywood sequelitis threaten to musically straitjacket even a legend like John Williams, the veteran playfully rebuffs such cynicism in his rich, mirthful score for this third chapter of the Harry Potter cycle. Whether inspired by a willful desire not to repeat himself, the continued reinvention of his jazz roots that brightened his scores for Spielberg’s Catch Me If You Can and The Terminal, or the story’s requirement for a handful of fresh themes, Williams informs his work here with an…
Harry Potter and the Sorcerer's Stone: Original Motion Picture Soundtrack
John Williams
You needn’t see the film of Harry Potter and the Sorcerer’s Stone to appreciate the wonder, magic, and fearful chills of J.K. Rowling’s phenomenal bestseller in John Williams’s outstanding score. Williams typically avoids the source material for the films he scores, but he reportedly derived great pleasure and inspiration from Rowling’s first Harry Potter adventure, and created a perfect motif (fully expressed in “Hedwig’s Theme”) to dominate his score. It’s first heard as a dreamy celesta waltz and embellished through myriad incarnations and moods, often…
The Patriot: Original Motion Picture Score
John Williams
Though Hollywood has long had a love affair with historical epics, it has sorely shortchanged America’s own most compelling chapter, the War of Independence. And if this tale of a retiring Colonial hero whose family gets drawn into the war against the British has no shortage of production ironies—being helmed by a German director and starring Australian-raised Mel Gibson—its score is a solid, stirring effort by American John Williams. Largely eschewing typical bombastic epic fodder for a mostly understated score rich in his distinctive writing for brass and…
- Works 1–10 of 14
- Show titles only
- Next 10 –>

