L.A. Confidential: A Crime Novel
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| Author(s) | James Ellroy |
|---|---|
| Subtitle | A Crime Novel |
| Publisher | Warner Books |
| The movie Janet Maslin of the New York Times calls: “Gangbusters! A shrewd, elegant film with a flawless ensemble cast and style to burn”; L.A. Confidential is an epic crime novel that stands as a steel-edged time capsule—Los Angeles in the 1950s, a remarkable era defined in dark shadings.
A horrific mass murder invades the lives of victims and victimizers on both sides of the law—three cops treading quicksand in the middle. Detective Ed Exley wants glory. Haunted by his father’s success as a policeman, he will pay any price, break any law… | |
The movie Janet Maslin of the New York Times calls: “Gangbusters! A shrewd, elegant film with a flawless ensemble cast and style to burn”; L.A. Confidential is an epic crime novel that stands as a steel-edged time capsule—Los Angeles in the 1950s, a remarkable era defined in dark shadings.
A horrific mass murder invades the lives of victims and victimizers on both sides of the law—three cops treading quicksand in the middle.
Detective Ed Exley wants glory. Haunted by his father’s success as a policeman, he will pay any price, break any law to eclipse him.
Detective Bud White watched his own father murder his mother—he is now bent on random vengeance, a time bomb with a badge.
Celebrity cop Jack Vincennes shakes down movie stars for a scandal magazine. An old secret possesses him—he’ll do anything to keep it buried.
Three cops in a spiral, a nightmare that tests loyalty and courage, a nightmare that offers no mercy, allows for no survivors. Here is James Ellroy’s masterpiece…darkness to haunt you in shades of red, gray, and black.
Reviews
Amazon.com
James Ellroy’s L.A. Confidential is film-noir crime fiction akin to Chinatown, Hollywood Babylon, Raymond Chandler, Dashiell Hammett, and Jim Thompson. It’s about three tortured souls in the 1950s L.A.P.D.: Ed Exley, the clean-cut cop who lives shivering in the shadow of his dad, a legendary cop in the same department; Jack Vincennes, a cop who advises a Police Squad- like TV show and busts movie stars for payoffs from sleazy Hush-Hush magazine; and Bud White, a detective haunted by the sight of his dad murdering his mom.
Ellroy himself was traumatized as a boy by his party-animal mother’s murder. (See his memoir My Dark Places for the whole sordid story.) So it is clear that Bud is partly autobiographical. But Exley, whose shiny reputation conceals a dark secret, and Vincennes, who goes showbiz with a vengeance, reflect parts of Ellroy, too.
L.A. Confidential holds enough plots for two or three books: the cops chase stolen gangland heroin through a landscape littered with not-always-innocent corpses while succumbing to sexy sirens who have been surgically resculpted to resemble movie stars; a vile developer—based (unfairly) on Walt Disney—schemes to make big bucks off Moochie Mouse; and the cops compete with the crooks to see who can be more corrupt and violent. Ellroy’s hardboiled prose is so compressed that some of his rat-a-tat paragraphs are hard to follow. You have to read with attention as intense as his—and that is very intense indeed. But he richly rewards the effort. He may not be as deep and literary as Chandler, but he belongs on the same top-level shelf.
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In a time when it seems that every other movie makes some claim to being a film noir, L.A. Confidential is the real thing—a gritty, sordid tale of sex, scandal, betrayal, and corruption of all sorts (police, political, press—and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy’s series of chronological thriller novels (including the title volume, The Big Nowhere, and White Jazz)—a compelling blend of L.A. history and pulp fiction that has earned it…
