Last Orders (film)
From AwardAnnals
| Film: | Last Orders |
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| Director: | Fred Schepisi |
| Genres: | |
| Distributor: | Sony Pictures |
The setting is Peckham, South London. Jack, a butcher, has recently died of cancer, leaving instructions that his ashes should be…
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Reviews
Amazon.com
With Last Orders, Australian-born writer-director Fred Schepisi has done a fine job of bringing Graham Swift’s Booker Prize-winning novel to the screen. Schepisi simplifies the book’s complex structure a little (we get flashbacks within flashbacks, often switching time and place mid-way through a line of dialogue), but it’s all handled so lucidly and sensitively that we’re never left in any doubt as to when and where we are.
The setting is Peckham, South London. Jack, a butcher, has recently died of cancer, leaving instructions that his ashes should be scattered off Margate Pier. Three of his oldest friends and drinking companions, Ray, Lenny and Vic, plus Jack’s son Vince, meet at their local pub to carry out his wishes. Jack’s widow, Amy, doesn’t join them; she has an errand of her own to attend to. During the day’s drive to the sea, memories and associations crowd in on each of them, reflections on love and fate and death in richly layered profusion.
Schepisi has assembled a cast of British cinema’s most seasoned professionals: Michael Caine, Tom Courtenay, Bob Hoskins, David Hemmings, Helen Mirren and Ray Winstone. The location settings—South London and Kent—exude authenticity, with Brian Tufano’s widescreen photography adding dignity. For Schepisi this is a personal project, and he’s clearly in love with his material. Just occasionally the film skirts sentimentality, but it’s pulled back from the edge by its humour, honesty and commitment to wry, downbeat realism.
On the DVD Last Orders arrives on DVD in a clean anamorphic 16:9 transfer with Dolby 5.1 sound. There’s a good range of extras: interviews and filmographies for all six principals plus the director; a “making of” featurette (everyone genuinely seems to be having a great time); written production notes; and not just the theatrical trailer, but a “trailer evolution video” showing alternative versions, plus ditto for the film’s publicity poster.—Philip Kemp
Related works
Last Orders: A Novel
- 1996 Booker winner
- 1996 JT Black-Fiction winner
- 1998 IMPAC Dublin shortlist
- 1996 Whitbread-Novel shortlist
- Score: 32.46
Graham Swift’s first novel since the highly acclaimed Ever After is a subtle yet deeply felt exploration of the ways in which friendship and love are shaped by the past and by fate. At its center is a group of men, friends since the Second World War, whose lives revolve around work, family, the racetrack, and their favorite pub. Now, the death of one of them, and the survivors’ task of driving their friend’s ashes from London to the seaside town where they’ll be scattered, compels them to take stock.
Through conversation and memory they trace the paths they have followed by choice and by accident: through war and its aftermath, through the dramas of their family lives and of their shifting relationships with one another. In brilliantly realized, richly humorous voices, Swift has created a narrative language that perfectly expresses not only the comforts of old habits and friendships but the profound emotional revelations this brief but far-reaching journey will bring them.
