Memoirs of a Geisha: Original Motion Picture Soundtrack

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Memoirs of a Geisha: Original Motion Picture Soundtrack

Artist: John Williams
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Label: Sony
Director Rob Marshall hired three of Asia’s most fabulous stars (Zhang Ziyi, Michelle Yeoh, and Gong Li) for this Japan-set movie, so one wonders why he didn’t put in a call to a local composer as well. Was Tan Dun’s line busy? Was Joe Hisaishi otherwise engaged? In any case, John Williams won the assignment, and he didn’t end up with egg on his face. Mercifully, Williams left the bombast at home and put cellist Yo-Yo Ma and violinist Itzhak Perlman to good use in this sensitive score. The lovely “Sayuri’s Theme” resurfaces at regular intervals, and it’s good to…
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Director Rob Marshall hired three of Asia’s most fabulous stars (Zhang Ziyi, Michelle Yeoh, and Gong Li) for this Japan-set movie, so one wonders why he didn’t put in a call to a local composer as well. Was Tan Dun’s line busy? Was Joe Hisaishi otherwise engaged? In any case, John Williams won the assignment, and he didn’t end up with egg on his face. Mercifully, Williams left the bombast at home and put cellist Yo-Yo Ma and violinist Itzhak Perlman to good use in this sensitive score. The lovely “Sayuri’s Theme” resurfaces at regular intervals, and it’s good to hear Williams keep his showier instincts in check through a good chunk of the movie, as he delivers a more subdued sound. One of the most dramatic moments happens during “The Fire Scene and the Coming of War.” By then Williams has basically reverted to the familiar, brooding mode he uses for ominous scenes, when suddenly the track integrates an excerpt from “The Folding Fan as a Target,” a traditional piece for voice and the Japanese lute known as biwa. Though Williams is right to err on the side of low key, it would have been nice to get more of these stark sounds in his competent but ultimately unmemorable compositions. —Elisabeth Vincentelli

Related works

Memoirs of a Geisha: A Novel

Arthur Golden

A literary sensation and runaway bestseller, this brilliant debut novel tells with seamless authenticity and exquisite lyricism the true confessions of one of Japan’s most celebrated geisha.

Speaking to us with the wisdom of age and in a voice at once haunting and startlingly immediate, Nitta Sayuri tells the story of her life as a geisha. It begins in a poor fishing village in 1929, when, as a nine-year-old girl with unusual blue-gray eyes, she is taken from her home and sold into slavery to a renowned geisha house. We witness her transformation as she learns the rigorous arts of the geisha: dance and music; wearing kimono, elaborate makeup, and hair; pouring sake to reveal just a touch of inner wrist; competing with a jealous rival for men’s solicitude and the money that goes with it.

In Memoirs of a Geisha, we enter a world where appearances are paramount; where a girl’s virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. It is a unique and triumphant work of fiction—at once romantic, erotic, suspenseful—and completely unforgettable.

Memoirs of a Geisha

Rob Marshall

Chicago director Rob Marshall’s pretty but empty (or pretty empty) film has all the elements of an Oscar® contender: solid adaptation (from Arthur Golden’s bestseller), beautiful locale, good acting, lush cinematography. But there’s something missing at the heart, which leaves the viewer sucked in, then left completely detached from what’s going on.

It’s hard to find fault with the fascinating story, which traces a young girl’s determination to free herself from the imprisonment of scullery maid to geisha, then from the imprisonment of geisha to a…

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